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The Archaic marbles already showed a very high mastery of stone, visible especially in their architectural reliefs. In the case of bronze, the main innovation in their history for Greek sculpture was the development of the lost wax technique but its principles were already masterfully handled in the Severe period, with a diversified application ...
The group statue is made of Parian marble, and at 1.55 m. tall (including the base), it is slightly smaller than lifesize. [2]Aphrodite, the beautiful naked goddess of beauty and love, is depicted in frontal with hair well-tressed and tied up with a scarf bound in a bow above her parting.
Natural marble. By the classical period, roughly the 5th and 4th centuries BC, monumental sculpture was composed almost entirely of marble or bronze; with cast bronze becoming the favoured medium for major works by the early 5th century BC; many pieces of sculpture known only in marble copies made for the Roman market were originally made in bronze.
[5] When a pubescent was received into the body of grown men, as a grown Kouros, he could enter the initiation fest of the brotherhood (phratry, φρατρία). Apellaios was the month of these rites, and Apollo ( Apellon ) was the "megistos kouros" (the greatest Kouros).
The Aphrodite of Knidos (or Cnidus) was an Ancient Greek sculpture of the goddess Aphrodite created by Praxiteles of Athens around the 4th century BC. It was one of the first life-sized representations of the nude female form in Greek history, displaying an alternative idea to male heroic nudity.
Heroic nudity or ideal nudity is a concept in classical scholarship to describe the un-realist use of nudity in classical sculpture to show figures who may be heroes, deities, or semi-divine beings. This convention began in Archaic and Classical Greece and continued in Hellenistic and Roman sculpture. The existence or place of the convention is ...
In Greek mythology, Pygmalion (/ p ɪ ɡ ˈ m eɪ l i ən /; Ancient Greek: Πυγμαλίων Pugmalíōn, gen.: Πυγμαλίωνος) was a legendary figure of Cyprus . He is most familiar from Ovid 's narrative poem Metamorphoses , in which Pygmalion was a sculptor who fell in love with a statue he had carved.
Leochares: Apollo Belvedere.Roman copy of 130–140 AD after a Greek bronze original of 330–320 BC. Vatican Museums. Classical sculpture (usually with a lower case "c") refers generally to sculpture from Ancient Greece and Ancient Rome, as well as the Hellenized and Romanized civilizations under their rule or influence, from about 500 BC to around 200 AD.