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The philosopher A. J. Ayer criticized Merleau-Ponty's arguments against the sense datum theory of perception, finding them inconclusive. He considered Merleau-Ponty's inclusion of a chapter on sexuality surprising, suggesting that Merleau-Ponty included it to give him an opportunity to revisit the Hegelian dialectic of the master and the slave.
(However, Merleau-Ponty's reading of Malraux has been questioned in a recent major study of Malraux's theory of art which argues that Merleau-Ponty seriously misunderstood Malraux.) [18] For Merleau-Ponty, style is born of the interaction between two or more fields of being. Rather than being exclusive to individual human consciousness ...
Merleau-Ponty developed the phenomenological foundations for perception-based embodiment, while Bourdieu's Practice Theory provided the framework for a practice-based embodiment. Csordas saw embodiment theory as a synthesis of these two theoretical approaches.
Kleinberg-Levin’s lifetime project in philosophy, which he has called “The Body of Ontological Understanding,” draws on a hermeneutical phenomenology (especially the work of Heidegger, Merleau-Ponty) in order to illuminate, in the light of critical social theory (especially the thought of Benjamin, Adorno, Habermas), the stages in a process of self-development embodying in the maturity ...
Maurice Merleau-Ponty develops his distinctive mode of phenomenology by drawing, in particular, upon Husserl's unpublished writings, Heidegger's analysis of being-in-the-world, Gestalt theory, and other contemporary psychology research.
Maurice Merleau-Ponty in his Phenomenology of Perception [transl. 1], for example, rejects the Cartesian idea that people's primary mode of being in the world is thinking [transl. 2] [transl. 3] and proposes corporeity [transl. 4], that is, the body itself as the primary site for knowing the world, and perception as the medium and the pre ...
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According to Husserl, perception has three temporal aspects, retention, the immediate present, and protention and a flow through which each moment of protention becomes the retention of the next. [1] Maurice Merleau-Ponty describes the temporal phenomenology of perception in the Phenomenology of Perception as follows: