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"Night Lights" is a 1956 song by written by Sammy Gallop and Chester Conn, recorded by Nat King Cole, and released as a single on the Capitol Records label. The song reached number 17 on the Best Sellers in Stores chart in Billboard Magazine. It was ranked as one of the top songs of the year by Billboard in 1956. [1]
A torch song is a sentimental love song, typically one in which the singer laments an unrequited or lost love, either where one party is oblivious to the existence of the other, where one party has moved on, or where a romantic affair has affected the relationship.
The Christmas tree night light has taken social media by storm with over a combined 10 million views on TikTok videos that feature small, tree-shaped lights. These night lights are designed to ...
"Night Lights" will be on display nightly from 4 to 10 p.m. beginning Friday, Nov. 24 and continuing through Dec. 31. The display is not open on Dec. 24 or Dec. 25.
from the album Doris Day's Sentimental Journey "I Said My Pajamas (and Put on My Pray'rs)" George Wyle: Edward Pola: January 13, 1950 TOP 20 HIT (with George Wyle orchestra) "I See Your Face Before Me" Arthur Schwartz: Howard Dietz: August 23, 1957 from the album Day by Night "It All Depends on You" Ray Henderson: Buddy G. DeSylva Lew Brown ...
If you're shopping for mom, we've rounded up a few of our favorite Christmas gifts for 2024, including Storyworth, personalized calendars, and more.
This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
The King Cole Trio recorded the song, along with "Gee, Baby, Ain't I Good to You", "If You Can’t Smile and Say Yes" and "Jumpin' at Capitol", for Capitol Records during a three-hour recording session at C.P. MacGregor Studios in Hollywood on November 30, 1943, with Johnny Mercer producing and John Palladino engineering the session. [2]