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Titlepage to 1645 Poems, with frontispiece depicting Milton surrounded by four muses, designed by William Marshall. Milton's 1645 Poems is a collection, divided into separate English and Latin sections, of John Milton's youthful poetry in a variety of genres, including such notable works as An Ode on the Morning of Christ's Nativity, Comus and Lycidas.
The Passion is an unfinished ode by John Milton that was possibly written in 1630 and was first published in 1645 or 1646 (see 1646 in poetry). The poem connects Christ's Crucifixion with his Incarnation. It is linked to two other poems of Milton: On the Morning of Christ's Nativity and Upon the Circumcision
L'Allegro by Thomas Cole. L'Allegro is a pastoral poem by John Milton published in his 1645 Poems. L'Allegro (which means "the happy man" in Italian) has from its first appearance been paired with the contrasting pastoral poem, Il Penseroso ("the melancholy man"), which depicts a similar day spent in contemplation and thought.
John Milton (9 December 1608 – 8 November 1674) was an English poet, polemicist, and civil servant. ... In 1673, Milton republished his 1645 Poems, ...
The topic of these poems places them within a genre of Christian literature popular during the 17th century and places Milton alongside of poets like John Donne, Richard Crashaw, and George Herbert. However, Milton's poetry reflects the origins of his anti- William Laud and anti-Church of England-based religious beliefs.
The Blind Milton (Thomas Uwins, c. 1817) "When I Consider How My Light is Spent" (also known as "On His Blindness") is one of the best known of the sonnets of John Milton (1608–1674). The last three lines are particularly well known; they conclude with "They also serve who only stand and wait", which is much quoted though rarely in context.
Il Penseroso ("the thinker") is a poem by John Milton, first found in the 1645/1646 quarto of verses The Poems of Mr. John Milton, both English and Latin, published by Humphrey Moseley. It was presented as a companion piece to L'Allegro, a vision of poetic mirth.
The topic of these poems places them within a genre of Christian literature popular during the 17th century and places Milton alongside of poets like John Donne, Richard Crashaw, and George Herbert. However, Milton's poetry reflects the origins of his anti- William Laud and anti-Church of England based religious beliefs.