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The term "riddim" is the Jamaican Patois pronunciation of the English word "rhythm".The derived genre originally stemmed from dub, reggae, and dancehall.Although the term was widely used by MCs since the early days of dancehall and garage music, it was later adopted by American dubstep producers and fans to describe what was originally referred to as "wonky dubstep".
In Jamaican dancehall music, a riddim is the instrumental accompaniment to a song and is synonymous with the rhythm section. Jamaican music genres that use the term consist of the riddim plus the voicing (vocal part) sung by the deejay .
Riddim Driven (series) S. Sail Away Riddim; Sleng Teng; Stalag riddim This page was last edited on 1 November 2021, at 00:53 (UTC). Text is available under ...
The sound system has had a prevalent spot in music production in Jamaica for well over 60 years. The true importance and relationship between the sound system and dub music can be found in the dubbed out versions of sounds that became the source of Dub music. These dubbed out versions of songs consisted of the original track, without the vocals.
"Sleng Teng" is the name given to one of the first fully computerized riddims, influential in Jamaican music and beyond. The riddim, which was the result of work by Noel Davey, Ian "Wayne" Smith, and Lloyd "King Jammy" James, was first released with Wayne's vocals under the title "Under Mi Sleng Teng" in early 1985.
The dembow beat or dembow riddim is a musical rhythm best known for its use as the core percussion element in reggaeton music, having taken its name from the 1990 dancehall song "Dem Bow" by Shabba Ranks.
The Stalag riddim (or Stalag version) is a popular reggae riddim, which came to prominence in the 1980s. It was originally written and recorded as "Stalag 17" (named after the 1953 war film) by Ansel Collins and released by Winston Riley's Techniques record label in 1973. [1] The riddim has been used on hundreds of derivative records.
Sister Nancy, however, sampled the Toots and the Maytals's Bam Bam over the Stalag riddim instead, a popular reggae riddim which came to prominence in the 1970s. The Stalag riddim was first introduced in a reggae song called “Stalag 17,” written and performed by Ansell Collins and released by Winston Riley's Techniques record label in 1973.