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Geometric abstraction is present among many cultures throughout history both as decorative motifs and as art pieces themselves. Islamic art, in its prohibition of depicting religious figures, is a prime example of this geometric pattern-based art, which existed centuries before the movement in Europe and in many ways influenced this Western ...
Matisse depicts his model and companion of many years, Lydia Delectorskaya, in an exotic Moroccan clothing, surrounded by a complex of abstract design and exotic color. [1] This is an example of one of the final groups of oil paintings in Matisse's career, in 1950 he stopped painting oil paintings in favor of creating paper cutouts.
Ilya Bolotowsky (July 1, 1907 – November 22, 1981) was an early 20th-century Russian-American painter in abstract styles in New York City. His work, a search for philosophical order through visual expression, embraced cubism and geometric abstraction and was influenced by Dutch painter Piet Mondrian.
Plains women traditionally paint abstract, geometric designs. [2] [3] Bright colors were preferred and areas were filled with solid fields of color. Cross-hatching was a last resort used only when paint was scarce. Negative space was important and designs were discussed by women in terms of their negative space. Dots are used to break up large ...
Portrait of a Lady (or Portrait of a Woman) is a small oil-on-oak panel painting executed around 1460 by the Netherlandish painter Rogier van der Weyden. The composition is built from the geometric shapes that form the lines of the woman's veil , neckline, face, and arms, and by the fall of the light that illuminates her face and headdress.
Compositionally, Macke has arranged the image space along clear diagonal perspective lines. The plane-disintegrating geometric shape of the stone facade with the carved pilasters and the shop window, as well as the abstracted figure, fit into the structure of the painting like mosaic stones and form an integrated unit.
Kirchner's half-nude painting shows Doris Große, known as Dodo, with whom he was together from 1909 to 1911, when he moved from Dresden to Berlin. Doris Große was a milliner and was a designer of extravagant hats for women. The painting depicts her partially undressed, wearing a hat, and with an absent look.
Another important aspect of Vermeer's Woman with Pearl Necklace is the placement of the domestic tools on the table. A water basin, comb, and powder brush are all displayed on the table. This painting may suggest criticism towards a young upper-class women's frivolity, lack of occupation, and her ample time for petty activities.