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The following is an incomplete list of works by Artemisia Gentileschi.Catalogue numbers abbreviated "WB" are taken from the 1999 publication by Raymond Ward Bissell, [1] and number abbreviated "MET" are from the 2001 publication by the Metropolitan Museum of Art.
Artemisia and her oeuvre became a focus again, having had little attention in art history scholarship save Roberto Longhi's article "Gentileschi padre e figlia (Gentileschi, father and daughter)" in 1916 and Bissell's article "Artemisia Gentileschi—A New Documented Chronology" in 1968. As Artemisia and her work began to garner new attention ...
Self-Portrait (Artemisia Gentileschi) Self-Portrait as a Female Martyr; Self-Portrait as a Lute Player; Self-Portrait as Saint Catherine of Alexandria; Self-Portrait as the Allegory of Painting; Susanna and the Elders (Artemisia Gentileschi, Brno) Susanna and the Elders (Artemisia Gentileschi, London) Susanna and the Elders (Artemisia ...
As artists, Gentileschi and Wiley challenge the white male-dominated fields and iconic images of their generations. Kimbell Art Museum presents ‘Slay: Artemisia Gentileschi and Kehinde Wiley ...
In her book, Artemisia Gentileschi: The Image of the Female Hero in Italian Baroque Art, art historian Mary D. Garrard notes that Gentileschi's depiction of female figures places them in a more heroic lighting. Garrard notes the symbolism that writers have attributed to Judith beheading Holofernes, believing it to be Artemisia's version of ...
Artemisia Gentileschi was around twenty years of age when she painted Judith Slaying Holofernes. Previously, Gentileschi had also completed Susanna and the Elders and Madonna and Child. These artworks already give an indication of Gentileschi's skill in representing body movement and facial expressions to express emotions. X-rays undertaken on ...