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The Symphony No. 2 in C minor, Op. 17 by Pyotr Ilyich Tchaikovsky was composed in 1872. One of Tchaikovsky's joyful compositions, it was successful right from its premiere and also won the favor of the group of nationalistic Russian composers known as "The Five", led by Mily Balakirev.
Tchaikovsky's opening entry for his diary of 1872 reads as follows: Yesterday, on the road from Vorozhba to Kiev, music came singing and echoing through my head after a long interval of silence. A theme in embryo, in B-flat major, took possession of my mind and almost led me on to attempt a symphony.
Symphony in E ♭ (sketched 1892 but abandoned; Tchaikovsky rescored its first movement as the Piano Concerto No. 3 in E ♭; posthumously, Taneyev rescored two other movements for piano and orchestra as the Andante and Finale; the symphony was reconstructed during the 1950s and subsequently published as "Symphony No. 7")
Symphony No. 5, Op. 102 (1837) [27] Josef Suk: Symphony No. 2 "Asrael", Op. 27 (1904–06) [28] Sergei Taneyev: Symphony No. 4 , Op. 12 (1896–98) [29] Pyotr Ilyich Tchaikovsky: Symphony No. 2 "Little Russian", Op. 17 (1872, rev. 1879–80) Eduard Tubin: Symphony No. 1 , ETW 1 (1931–34) Johann Baptist Wanhal: Symphony, Bryan c1; Symphony ...
The Third, the only symphony Tchaikovsky completed in a major key, is written in five movements, ... Little Russian (1872) No. 3 in D major, Op. 29, Polish (1875)
Symphony No. 2 (Tchaikovsky), in C minor (Op. 17, Little Russian) by Pyotr Ilyich Tchaikovsky, 1872; Symphony No. 2 (Tippett) by Michael Tippett, 1956–57; Symphony No. 2 (Ustvolskaya) (True and Eternal Bliss) by Galina Ustvolskaya, 1979; Symphony No. 2 (Vaughan Williams) (A London Symphony) by Ralph Vaughan Williams, 1913, rev. 1920
Symphony No. 6 (Tchaikovsky) This page was last edited on 29 June 2024, at 13:00 (UTC). Text is available under the Creative Commons Attribution-ShareAlike 4.0 ...
Some music from the opera was subsequently re-used in Tchaikovsky's other works: The bridal procession of act 3 was adapted for the Andantino marziale of his Symphony No. 2 "Little Russian" (1872). The introduction was used unchanged as the introduction to his incidental music to Ostrovsky's play The Snow Maiden (1873).