Search results
Results From The WOW.Com Content Network
The dead body of Christ, seeming unnaturally light, is supported by the Virgin Mary at left and Saint John the Evangelist at right. The hand of Christ is placed in the foreground on a marble slab, on which is Bellini's signature and a phrase taken from the Elegies of Propertius : HAEC FERE QVVM GEMITVS TVRGENTIA LVMINA PROMANT / BELLINI POTERAT ...
An image consisting only of a dead Christ with angels is also called a Pietà, at least in German, where Engelpietà (literally "Angel Pietà") is the term for what is usually called Dead Christ supported by angels in English. [2] Pieta of Kampbornhofen, Germany. Several namesake images have merited a Pontifical decree of coronation, including ...
The Pietà (The Dead Christ Mourned by Nicodemus and Two Angels) is a 1437–1439 tempera on panel painting by Filippo Lippi, now in the Museo Poldi Pezzoli in Milan. [ 1 ] It probably formed part of a small altarpiece for private devotion and draws on the low relief of the sculpture style of Donatello .
This page was last edited on 3 November 2024, at 06:31 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The Pietà or Christ's Body Supported by the Virgin Mary and St John the Evangelist is a tempera-on-panel painting by the Italian Renaissance artist Giovanni Bellini, now in the Accademia Carrara in Bergamo. Dated to around 1455, it is one of his earliest independent works and the prototype for his series of pietàs. It draws on Byzantine icons ...
The dead Christ is at the center of the painting in a seated position. He is supported on the side by an expressive Madonna and Saint John the Baptist. On the left, Mary Magdalene and Joseph of Arimthea are both recognizable.
Download as PDF; Printable version; ... The Dead Christ Mourned; D. ... This page was last edited on 2 May 2024, at 01:15 (UTC).
Pietà or Lamentation over the Dead Christ is a fragment of a lunette fresco of c. 1475–1500 by the Italian Renaissance painter and architect Bramantino, originally over the door of the church of San Sepolcro in Milan and now in the Pinacoteca Ambrosiana in the same city.