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The dead body of Christ, seeming unnaturally light, is supported by the Virgin Mary at left and Saint John the Evangelist at right. The hand of Christ is placed in the foreground on a marble slab, on which is Bellini's signature and a phrase taken from the Elegies of Propertius : HAEC FERE QVVM GEMITVS TVRGENTIA LVMINA PROMANT / BELLINI POTERAT ...
It is a variant of the Man of Sorrows (Imago Pietatis) type of andachtsbilder, but showing a Christ who is clearly dead (in Man of Sorrows images he tends to have his eyes open). Typically the half-length body of the dead Christ sits on a ledge, held up by smaller angels at each side. Christ is naked down to a loin-cloth and his wounds are visible.
The Pietà (The Dead Christ Mourned by Nicodemus and Two Angels) is a 1437–1439 tempera on panel painting by Filippo Lippi, now in the Museo Poldi Pezzoli in Milan. [ 1 ] It probably formed part of a small altarpiece for private devotion and draws on the low relief of the sculpture style of Donatello .
Pietà or Dead Christ Supported by Angels is a tempera-on-panel painting by the Italian Renaissance artist Giovanni Bellini, now in the city museum of Rimini.It is dated to around 1470, making it one of his early mature works, around the same time as another of his Pietà (Brera).
The Pietà or Christ's Body Supported by the Virgin Mary and St John the Evangelist is a tempera-on-panel painting by the Italian Renaissance artist Giovanni Bellini, now in the Accademia Carrara in Bergamo. Dated to around 1455, it is one of his earliest independent works and the prototype for his series of pietàs. It draws on Byzantine icons ...
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Print/export Download as PDF; Printable version; In other projects ... The Dead Christ Mourned; D. Dead Christ Supported by Two Angels (Castagno)
Pietà or Lamentation over the Dead Christ is a fragment of a lunette fresco of c. 1475–1500 by the Italian Renaissance painter and architect Bramantino, originally over the door of the church of San Sepolcro in Milan and now in the Pinacoteca Ambrosiana in the same city.