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Oakeshott types. The Oakeshott typology is a way to define and catalogue the medieval sword based on physical form. It categorises the swords of the European Middle Ages (roughly 11th to 16th centuries [1]) into 13 main types, labelled X through XXII.
PDF 1.7, the sixth edition of the PDF specification that became ISO 32000-1, includes some proprietary technologies defined only by Adobe, such as Adobe XML Forms Architecture (XFA) and JavaScript extension for Acrobat, which are referenced by ISO 32000-1 as normative and indispensable for the full implementation of the ISO 32000-1 ...
Umayyad architecture – based in Damascus (c. 660–750) Abbasid architecture – based in Baghdad (c. 750–1256) Mamluk architecture – based in Cairo (c. 1256–1517) Ottoman architecture – based in Istanbul (c. 1517–1918) Regional Styles Egypt Early Islamic architecture (Rashidi + Umayyad) (641–750) Abbasid architecture (750–954)
Gladius, an early ancient Roman thrusting shortsword for legionaries [36] Xiphos, a double-edged, single-hand blade used by the ancient Greeks; Certain Renaissance-era sidearms: Baselard, a late medieval heavy dagger; Cinquedea, a civilian long dagger; Dirk, the Scottish long dagger (biodag); Hanger or wood-knife, a type of hunting sword or ...
Pattern in architecture is the idea of capturing architectural design ideas as archetypal and reusable descriptions. The term pattern in this context is usually attributed to Christopher Alexander, [1] an Austrian born American architect. The patterns serve as an aid to design cities and buildings. The concept of having collections of "patterns ...
The cutlass is a 17th-century descendant of the edged short sword, exemplified by the medieval falchion.. Woodsmen and soldiers in the 17th and 18th centuries used a similar short and broad backsword called a hanger, or in German a messer, meaning "knife".
A Pattern Language: Towns, Buildings, Construction is a 1977 book on architecture, urban design, and community livability.It was authored by Christopher Alexander, Sara Ishikawa and Murray Silverstein of the Center for Environmental Structure of Berkeley, California, with writing credits also to Max Jacobson, Ingrid Fiksdahl-King and Shlomo Angel.
There are also numerous full-page photo illustrations throughout the book, some of which are referenced by the text and some of which are simply an additional visual argument to complement the words. The style used in The Timeless Way of Building is also unusual for an architectural text, at times resembling prose poetry or religious scripture ...