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William Henley's Universal Dictionary of Violin & Bow Makers, Brighton, Amati, 1973. Cacciatori, Fausto: Il DNA degli Amati, Cremona 2006, ISBN 978-8889839119. Die Musik in Geschichte und Gegenwart (MGG2), Personenteil Vol. 1, Bärenreiter, Kassel 1999. Stefan Drees: Lexikon der Violine, Laaber-Verlag, Laaber 2004, ISBN 978-3-89007-544-0.
"Good as I Was to You" is a song written by Billy Livsey and Don Schlitz, and recorded by American country music artist Lorrie Morgan. It was released in December 1996 as the third and final single from her album Greater Need. The song reached #4 on the Billboard Hot Country Singles & Tracks chart in May 1997. [1]
Andrea Amati (c. 1505 – 20 December 1577) designed and created the violin, viola and cello known as the "violin family". Based in Cremona, Italy , he standardized the basic form, shape, size, materials and method of construction.
On the charts, Good as I Been to You reached No. 51 in the US [1] and No. 18 in the UK, [2] and helped to restore Dylan's critical standing following the disappointing Under the Red Sky. The album's highest chart position worldwide was in Norway, where it peaked at No. 11.
Don Nicolò Amati [1] (born Nicolò Marchioni or Nicolò Melchioni; [2] 1662–1752) was an Italian violin maker based in Bologna. In 1687 he entered priesthood. In 1687 he entered priesthood. He pursued both careers, priesthood and violinmaking, throughout his lifetime.
Andrea Amati (ca. 1505 - 1577, Cremona) was a luthier, from Cremona, Italy. [1] [2] Amati is credited with making the first instruments of the violin family that are in the form we use today. [3] Several of his instruments survive to the present day, and some of them can still be played.
(Wq.53) – mis-attributed to Gluck [1] - Six Trio Sonatas for 2 Violins and Basso continuo, publ. 1746; in C Major; in G Minor; in A Major; in B♭ Major; in E♭ Major; in F Major (Wq.54) – mis-attributed to Gluck [1] - Trio Sonata in E Major for 2 Violins and Basso continuo; GluckWV 5.2.1 - authenticated Trio Sonata in F Major for 2 ...
It is regarded as one of the masterpieces of the violin repertoire. [1] Composed in Cleveland in 1920, the work makes considerable demands of both technique and endurance from the violinist. [1] Bloch himself described the sonata as a "tormented work", [2] and Roger Sessions described it as having a characteristic "mood of pessimism, irony and ...