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Mozart's Piano Sonata, K 545 opening. The right hand plays the melody, which is in the top stave. The left hand plays the accompaniment part, which is in the lower stave. In the first bar of the accompaniment part, the pianist plays a C Major chord in the left hand; this chord is arpeggiated (i.e., a chord in which the notes are played one after the other, rather than simultaneousl
Jazz often features a prominent rhythm section, typically consisting of at least drums and bass, and sometimes a comping instrument such as piano or guitar.. A rhythm section is a group of musicians within a music ensemble or band that provides the underlying rhythm, harmony and pulse of the accompaniment, providing a rhythmic and harmonic reference and "beat" for the rest of the band.
The chordal accompaniment used in jazz is different from the chordal accompaniment style used in many types of popular music, such as rock and folk. In a rock or folk band, a guitarist or piano player will accompany by playing primarily root-position triads consisting of the root, 3rd, and 5th. In the key of C, the G chord would include the ...
D 624, Eight Variations on a French Song in E minor for piano duet (1818, first published as Op. 10; 2 versions of the "Theme" are extant) D 812, Sonata in C major for piano duet, Grand Duo (1824, first published as Op. posth. 140) D 813, Eight Variations on an original theme in A ♭ major for piano duet (1824, first published as Op. 35)
Op. 68, Album for the Young (Album für die Jugend) (1848) for piano; Op. 69, Romanzen volume I (6 songs for female chorus with piano ad lib) (1849) Op. 70, Adagio and Allegro for Horn and Piano (1849) (Schumann directed that the horn part could also be performed on violin or cello) Op. 71, Adventlied for soprano, chorus and orchestra (1848)
song: voice and piano, from Salut d’Amour, Op. 12, adapted by Max Laistner [96] — Percy E. Pinkerton: Schott 1900 "The Pipes of Pan" song: voice and piano — Adrian Ross: Boosey 1901 "Always and Everywhere" song: voice and piano, from the Polish of Krasiński — F. H. Fortey [98] Boosey 1901 "Come, Gentle Night!" song: voice and piano ...
A number of Franz Schubert's songs, originally for voice with piano accompaniment, were arranged by other composers. For example, his "highly charged" and "graphic" song "Erlkönig" ("The Erl King") has a piano introduction that conveys "unflagging energy" from the start. [11]
Scena ed Aria "E dunque ver? - Ist es denn wahr?", Op. 58 (for Soprano with the accompaniment of Orchestra or Piano), Die Nixe, Op. 63 (for chorus of women's voices and alto solo, with accompaniment of a piano or orchestra) Two songs for chorus and orchestra (Hecuba and Hagar in der Wüste) Op. 92