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"Lute tuning" is usually capoed on 3rd fret to give G 2 C 3 F 3 A 3 D 4 G 4, and E 2 is often dropped to D 2 (F 2 with capo). There are hundreds of alternate guitar tunings; whole books have been written on the subject. [16] Classical Guitar: Steel String Guitar: Electric Guitar: Guitar, alto 11 strings 11 courses. B ♭ 1 C 2 D 2 E ♭ 2 F 2 G ...
Cmaj11: C-F-C-G-B-E (used by Soundgarden on the song "4th of July") Cm add4: C-F-C-G-C-D ♯ (used by This Town Needs Guns on "Baboon" and "Lemur") Open Page/Csus2/Gsus4: D-G-C-G-C-D (used by Jimmy Page in "The Rain Song") Dm7: D-A-D-F-A-C (used by Richie Havens in "From the Prison") [24] Dm9: D-A-D-F-C-E; Dm add9: D-A-D-F-A-E (used by Opeth on ...
For all-fourths tuning, all twelve major chords (in the first or open positions) are generated by two chords, the open F major chord and the D major chord. The regularity of chord-patterns reduces the number of finger positions that need to be memorized. [20] The left-handed involute of an all-fourths tuning is an all-fifths tuning.
For the English guitar, the open chord is C major (C–E–G–C–E–G); [26] for the Russian guitar, which has seven strings, it is G major (D–G–B–D–G–B–D). [ 27 ] [ 28 ] When the open strings constitute a minor chord, the open tuning may sometimes be called a cross-note tuning.
For example, if written above a measure of standard time, "C / F G" would mean that the C chord symbol lasts two beats while F and G last one beat each. The slash is separated from the surrounding chord symbols so as not to be confused with the chord-over-a-bass-note notation that also uses a slash.
Much of the classical guitar repertoire is in E minor, as this is a very natural key for the instrument. In standard tuning (E A D G B E), four of the instrument's six open (unfretted) strings are part of the tonic chord. The key of E minor is also popular in heavy metal music, as its tonic is the lowest note on a standard-tuned guitar.
The dominant seventh (V7) chord G7=(G,B,D,F) increases the tension with the tonic (I) chord C. Adding a minor seventh to a major triad creates a dominant seventh (denoted V7). In music theory, the "dominant seventh" described here is called a major-minor seventh, emphasizing the chord's construction rather than its usual function. [ 27 ]
The altered scale is made by the sequence: Half, Whole, Half, Whole, Whole, Whole, Whole. The abbreviation "alt" (for "altered") used in chord symbols enhances readability by reducing the number of characters otherwise needed to define the chord and avoids the confusion of multiple equivalent complex names.