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The UK variant of the Enhanced keyboard commonly used with personal computers designed for Microsoft Windows differs from the US layout as follows: . The UK keyboard has 1 more key than the U.S. keyboard (UK=62, US=61, on the typewriter keys, 102 v 101 including function and other keys, 105 vs 104 on models with Windows keys)
A musical passage notated as flats. The same passage notated as sharps, requiring fewer canceling natural signs. Sets of notes that involve pitch relationships — scales, key signatures, or intervals, [1] for example — can also be referred to as enharmonic (e.g., the keys of C ♯ major and D ♭ major contain identical pitches and are therefore enharmonic).
The modern Dvorak layout (U.S.) Dvorak (/ ˈ d v ɔːr æ k / ⓘ) [1] is a keyboard layout for English patented in 1936 by August Dvorak and his brother-in-law, William Dealey, as a faster and more ergonomic alternative to the QWERTY layout (the de facto standard keyboard layout).
English: Correctly labeled modifier keys for the ANSI Keyboard layout. This diagram includes denotations for the common form factors for 60%, 80%, and 100% sized keyboards. Key sizes are also correct, relative to each other, based on the 1x model.
A typical 105-key computer keyboard, consisting of sections with different types of keys. A computer keyboard consists of alphanumeric or character keys for typing, modifier keys for altering the functions of other keys, [1] navigation keys for moving the text cursor on the screen, function keys and system command keys—such as Esc and Break—for special actions, and often a numeric keypad ...
ISO/IEC 9995 Information technology — Keyboard layouts for text and office systems is an ISO/IEC standard series defining layout principles for computer keyboards. It does not define specific layouts but provides the base for national and industry standards which define such layouts.
An enharmonic keyboard is a musical keyboard, where enharmonically equivalent notes do not have identical pitches. A conventional keyboard has, for instance, only one key and pitch for C ♯ and D ♭ , but an enharmonic keyboard would have two different keys and pitches for these notes.
F ♭ is a common enharmonic equivalent of E, but is not regarded as the same note. F ♭ is commonly found after E ♭ in the same measure in pieces where E ♭ is in the key signature , in order to represent a diatonic , rather than a chromatic semitone; writing an E ♭ with a following E ♮ is regarded as a chromatic alteration of one ...