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In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
The song has been recorded by a variety of artists including Ciro Monteiro & Orchestra, Nuno Roland with Simon Bountman e sua Orchestra do Cassino Copacabana, [5] Fernanado Alvarez with Regional, [6] Roberto Inglez, [7] César de Alencar & Emilinha Borba, Trio Irakitan with Conjunto Coral de Severino Filho, [8] and Bola de Nieve.
The musical accompaniment can be anything, from piano solo or guitar duet to jazz-style big band or philharmonic orchestra. In these cases, samba rhythm was provided mainly by a drum player. It maintains a Brazilian flavor, more or less, but is strongly influenced by American popular songs in every way.
Bossa nova (Portuguese pronunciation: [ˈbɔsɐ ˈnɔvɐ] ⓘ) is a relaxed style of samba [nb 1] developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. [2] It is mainly characterized by a calm syncopated rhythm with chords and fingerstyle mimicking the beat of a samba groove, as if it was a simplification and stylization on the guitar of the rhythm produced by a samba school band.
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Música popular brasileira (Portuguese pronunciation: [ˈmuzikɐ popuˈlaʁ bɾaziˈlejɾɐ], Popular Brazilian Music) or MPB is a trend in post-bossa nova urban popular music in Brazil that revisits typical Brazilian styles such as samba, samba-canção and baião and other Brazilian regional music, combining them with foreign influences, such as jazz and rock.
Sérgio Mendes (pictured) is the Brazilian artist with the most entries on the Billboard Hot 100. This list contains all Brazilian entries on the Billboard Hot 100 chart. The chart, compiled and published by Billboard magazine, tracks the most listened-to songs each week in the United States and is a measure of popularity. It gathers data from ...
"Manhã de Carnaval" ("Carnival Morning"), often referred to as "Black Orpheus", is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. "Manhã de Carnaval" appeared as a principal theme in the 1959 Portuguese-language film Orfeu Negro [ 1 ] by French director Marcel Camus .