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Lady Marmalade" was the third single taken from their self-titled debut studio album; it contained the "Marmalade" cover and a cover version of "Under the Bridge" by Red Hot Chili Peppers. The single reached number one on the official UK Top 40 chart, becoming the group's second number-one hit.
"Lady Marmalade", written by Bob Crewe and Kenny Nolan, was made famous in the 1970s by the girl group Labelle. [6] The song contains the sexually suggestive lyric "Voulez-vous coucher avec moi, ce soir?", which translates to "Do you want to sleep with me tonight?" [7] Labelle's version of the song was inducted into the Grammy Hall of Fame in ...
Patti LaBelle is a living legend, and she knows it, honey! The Godmother of Soul is looking back at her illustrious career with ET and reflecting on her time with the Bluebelles, making the ...
Nona Bernis Hendryx [4] (born October 9, 1944) is an American vocalist, record producer, songwriter, musician, and author. Hendryx is known for her work as a solo artist as well as for being one-third of the trio Labelle, who had a hit with "Lady Marmalade". [5]
Kelly Clarkson surprised her fans on "The Kelly Clarkson Show" when she sang a beautiful cover of Labelle's 1974 hit song "Lady Marmalade."
In a viral TikTok video, Pink said that the 'Lady Marmalade' music video wasn't a good time to film, despite it being one of the hottest songs of the early 2000s.
Labelle was an American funk rock band that originated out of the Blue Belles, a girl group who were a popular vocal group of the 1960s and 1970s. The original group was formed after the disbanding of two rival girl groups in the area around Philadelphia, in Pennsylvania, and Trenton, in New Jersey: the Ordettes and the Del-Capris, forming as a new version of the former group, then later ...
Riding high on the success of "Lady Marmalade" and the Nightbirds album, Labelle made the cover of Rolling Stone in 1975. Labelle released two more albums, Phoenix and Chameleon in 1975 and 1976, respectively. While both albums continued the group's critical success, none of the singles issued on those albums ever crossed over to the pop charts.