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The Oxford Companion to Australian Literature states that "The Roaring Days" is "a phrase referring nostalgically to the gold rushes. Its best-known literary use is in Henry Lawson's poem, 'The Roaring Days', written from Lawson's boyhood memories of Gulgong and Pipeclay."
The English poet Geoffrey Whitney followed Alciato in all this, using an illustration from one of his editions in his Choice of Emblemes (1568), but supporting it with an 18-line poem of his own. [4] The final stanza sums up the meaning of the fable: The running streame, this worldlie sea dothe shewe; The pottes present the mightie, and the pore:
Gold is for the mistress - silver for the maid" - Copper for the craftsman cunning at his trade! " " Good! " said the Baron, sitting in his hall, But Iron - Cold Iron - is master of them all." So he made rebellion 'gainst the King his liege, Camped before his citadel and summoned it to siege. " Nay! " said the cannoneer on the castle wall,
The poem emphasizes that sometimes gold is hidden or mistaken for something else, as opposed to gaudy facades being mistaken for real gold. Strider, secretly the rightful king of Gondor, appears to be a mere Ranger. Both Tolkien's phrase and the original ask the reader to look beneath the skin, rather than judging on outward appearance. [14]
Peperoncino (Italian: [peperonˈtʃiːno]; pl.: peperoncini) is the generic Italian name for hot chili peppers, specifically some regional cultivars of the species Capsicum annuum and C. frutescens (chili pepper and Tabasco pepper, respectively). [1] The sweet pepper is called peperone (pl.: peperoni) in Italian. [2]
"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...
The poem displays formal elements, but is not subject to one formal trope. The feet in the poem are mostly iambic, but the meter varies. There is not a defined rhyme scheme, but there are rhyming couplets appearing throughout. This homage, but not direct deference to, formality, plays off the poem's relation to (and subversion of) normal poetic ...
"The Hangman" is a poem written by Maurice Ogden in 1951 and first published in 1954. [1] The poem was originally published under the title "Ballad of the Hangman" in Masses and Mainstream magazine under the pseudonym "Jack Denoya", before later being "[r]evised and retitled".