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A dilemma story (also dilemma tale) is an African story-form intended to provoke discussion. They are used as a form of both entertainment and instruction. [ 1 ] Unlike many other story forms, which culminate in a firm conclusion, dilemma stories are open ended, and meant to spark conversation and debate.
A cliffhanger or cliffhanger ending, is a plot device in fiction which features a main character in a precarious or difficult dilemma or confronted with a shocking revelation at the end of an episode of serialized fiction. A cliffhanger is hoped to incentivize the audience to return to see how the characters resolve the dilemma.
[6] A domestic satire, The Dilemma of a Ghost concerns a Ghanaian student returning from education abroad with his Black American wife, and her struggle coming to terms with her cultural past in her new African home. [7] [8] Simon Gikandi writes that the play "is both structurally and thematically related to the traditional dilemma tale. By ...
The social novel, also known as the social problem (or social protest) novel, is a "work of fiction in which a prevailing social problem, such as gender, race, or class prejudice, is dramatized through its effect on the characters of a novel". [1]
In summary, Aidoo acknowledges that completeness is obtained within her story through accepting and understanding both sameness and differences between each character within the written text. Furthermore, in Aidoo's play Anowa is the understanding of the divided roles, and understanding how these differences interact with one another.
The prelude section of the Panchatantra identifies an octogenarian Brahmin named Vishnusharma (IAST: Viṣṇuśarman) as its author. [3] [17] He is stated to be teaching the principles of good government to three princes of Amarasakti.
Committed literature (French: littérature engagée) can be defined as an approach of an author, poet, novelist, playwright or composer who commits their work to defend or assert an ethical, political, social, ideological or religious view, most often through their works but also can loosely be defined as being through their direct intervention as an "intellectual", in public affairs (Crowly ...
The 1522 cover of Mundus et Infans, a morality play. The morality play is a genre of medieval and early Tudor drama. The term is used by scholars of literary and dramatic history to refer to a genre of play texts from the fourteenth through sixteenth centuries that feature personified concepts (most often virtues and vices, but sometimes practices or habits) alongside angels and demons, who ...