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The neck got wider. The bowl, which had been made of glued lathes of wood was now made of gourd, with metal frets and a bone nut on the neck. [9] Masid Khan added two more strings to the sitar. [18] The modern seven string sitar was created by Allauddin Khan. [19] Sympathetic strings on sitar were first added by Ustad Imdad Khan. [20]
In India, the Sitar is an instrument with many forms. Its name is "an Urdu transcription of the Persian sihtār". [1] ... Since these frets are moveable, players can ...
Fat frets make bending easier, and they change the feel of the guitar. As well, large frets, offering more metal, remain playable much longer than thin frets. A side effect of a thicker fret is a less precise note, since the string is held over a wider surface, causing a slight inaccuracy of pitch, which increases in significance as frets wear. [2]
Vichitra veena and Chitra veena or gottuvadhyam do not have frets. It sounds close to humming human singer. The Vichitra veena is played with a piece of ovoid or round glass, which is used to stop the strings to create delicate musical ornaments and slides during a performance. [32] Sitar is a Persian word meaning three strings. [35]
Sitar: Stringed instrument similar to Tambūra. Made of a goard attached to a fingerboard. The fingerboard has 9-16 frets, 7 main strings, and 11-12 strings that are parallel to the main strings under the frets. [13] Sitar, Indian instrument: Tambūra: Stringed instrument similar to the Veena, without the second goard.
Such a construction is seen on the sitar, where arched frets attach at the edges of a smooth fingerboard; unfrettable strings run inside the frets, while frettable ones run outside. The fret arches are sufficiently high that the exterior strings can be fretted without the finger making contact with the interior strings.
Khan learnt music from his father, Ashiq Ali Khan, who had learned sitar from the 19th century player Barkatullah Khan, a descendant of Masit Sen of Delhi, the inventor of the Masitkhani gat (the major style of slow musical composition in sitar playing) [1] His name became synonymous with the Senia style [2] although he may actually have practised an even more austere style than his ...
This small practice sitar was built from a single piece of wood, about 100 cm long. It had a small resonator, about 20 cm in diameter, carved of the same log. The neck was topped with 16 metal frets set in wax on wooden tracks, and a tuning box with three pegs.