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Arban's Complete Conservatory Method for Trumpet is a method book for students of trumpet, cornet, and other brass instruments. The original edition, Grande méthode complète de cornet à pistons et de saxhorn) , was written and composed by Jean-Baptiste Arban (1825-1889) and published in Paris by Léon Escudier in 1864. [ 1 ]
Initially intended as a 3-volume series of increasing difficulty, the middle volume titled Clarke's Technical Studies (1912) would gain a following independent of the other volumes, becoming "one of the most widely used trumpet method books" [1] and drawing comparisons to the Arban Method. [2]
The resulting method book was Daily Drills and Technical Studies for Trumpet, first published in 1937 by J. & F. Hill before the copyright passed along to M. Baron Company in 1938. Max Schlossberg's son, Charles, edited an arrangement of the method for trombone titled Daily Drills and Technical Studies for Trombone.
Public domain works must be out of copyright in both the United States and in the source country of the work in order to be hosted on the Commons. If the work is not a U.S. work, the file must have an additional copyright tag indicating the copyright status in the source country. Note: This tag should not be used for sound recordings.
William Alexander Adam (October 21, 1917 – November 25, 2013) was an American trumpeter, respected pedagogue, and Professor Emeritus at Indiana University.He was highly analytical as a teacher, but always avoided discussing the mechanical aspects of trumpet playing with a student.
Donald S. Reinhardt (1908–1989) was an American trombonist and brass teacher.. He authored several books for brass players, including the Pivot System for Trumpet and Trombone: A Complete Manual With Studies and the Encyclopedia of the Pivot System.
David Hickman (June 19, 1950) [1] is an American trumpeter, author, academic, and is widely considered one of the preeminent trumpet virtuosi of the 20th century. [2] He is a Regents' Professor of trumpet at Arizona State University and past President of the International Trumpet Guild .
The natural trumpets were not specified by the composer; indeed it may have been a bit early in the rediscovery of natural trumpet playing for it to be safe to do so. This technique had been used by the classical composers in horn section writing, to enable lines to be played outside the natural scale (e.g. 2 horns in C and 2 horns in D or E flat).