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A remake of Christmas in Connecticut was released in 1992, starring Dyan Cannon as Elizabeth, Kris Kristofferson as Jefferson Jones, and Tony Curtis as Mr. Yardley. The made-for-TV movie, which first aired on TNT, was directed by Arnold Schwarzenegger, who also had a cameo appearance. In this remake, Elizabeth "Blane" is the hostess of her own ...
Christmas in Connecticut is a 1992 American Christmas romantic comedy television film directed by Arnold Schwarzenegger (his first and only film directing credit [1]) and starring Dyan Cannon, Kris Kristofferson, and Tony Curtis. [2] It is a remake of the 1945 film of the same name. [3] [4] The film premiered on TNT on April 13, 1992. [4] [5] [6]
Other filming locations for the 2018 Hallmark Movies & Mystery flick that you can travel to include the Steveston boardwalk, Imperial Landing Park, Gulf of Georgia Cannery National Historic Site ...
The Historic Film Locations group on Facebook is a community of almost 900k members, most of whom are cinema fans and film tourists. The group believes that movies "hold cultural history & meaning ...
Stamford, Connecticut is increasingly being used as a filming location for motion pictures, especially since a 30 percent state tax credit for movie production took effect on July 1, 2006. The tax credit immediately started attracting filmmakers to Connecticut, creating a nascent industry connected to feature film production. [1]
Holiday Inn (1942) – Connecticut; The Mummy's Tomb (1942) I Married a Witch (1942) The Adventures of Mark Twain (1944) The Mummy's Ghost (1944) Christmas in Connecticut (1945) Leave Her to Heaven (1945) Spellbound (1945) The Thin Man Goes Home (1945) Dragonwyck (1946) The Spiral Staircase (1946) The Stranger (1946) The Strange Woman (1946 ...
The mountain town of Mapleton, Utah in the state’s Provo-Orem metropolitan area was the filming location for the Hallmark movie A Christmas Wish, in which a single mom takes her kids on a road ...
The Washington Post thought the celebrity endorsements (by Frank Capra, Orson Welles, Al Jolson, Constance Bennett and others) [11] used in the movie's advertising to be "high-flown" and "Hollywoodesque"; instead, the movie was a "mild, pleasant little film which probably will find many admirers."