Search results
Results From The WOW.Com Content Network
Freaknik: The Musical is an American animated musical television special produced by T-Pain.It features the voice of T-Pain as the Ghost of Freaknik. Other entertainers providing voices include Lil Wayne, Young Cash, Snoop Dogg, Sophia Fresh, and Rick Ross, and comedians such as Andy Samberg and Charlie Murphy.
T-Pain made his cinema acting debut in the 2010 comedy film Lottery Ticket as a liquor store clerk. [74] In November 2016, T-Pain also appeared in an episode of the YouTube series Epic Rap Battles of History as Stevie Wonder. [75] T-Pain was the champion of the first season of the Fox reality music competition The Masked Singer as "Monster". [76]
Baby Don't Go (Fabolous song) Bang Bang Pow Pow; Bartender (T-Pain song) Been Like This; Best Love Song; Better (Bow Wow song) Blame It; Boom (Snoop Dogg song) Booty Wurk (One Cheek at a Time) The Boss (Rick Ross song) Buy U a Drank (Shawty Snappin')
1UP is the sixth studio album by American singer T-Pain, released on February 27, 2019.It is the follow-up to his 2017 album Oblivion. 1UP was preceded by the release of the singles "Getcha Roll On", "All I Want" and "A Million Times", [6] and features appearances from Lil Wayne, Boosie Badazz, O.T. Genasis, Russ, Profit Dinero, Tory Lanez and Flipp Dinero.
T-Pain. Paras Griffin/Getty Images T-Pain says he no longer takes credit for writing country music songs because of the racist backlash. The two-time Grammy winner, 39, is best known for creating ...
It has an accompanying dance, called the "2 Step". The video was co-directed by Dale "Rage" Resteghini and Will Horton and was released on February 23, 2007 on Yahoo! Music. The official remix features T-Pain, Jim Jones and E-40. The song debuted on the Billboard Hot 100 at number 94 in February 2007 [1] and peaked at number 24.
Three Ringz received mixed reviews, with many music critics questioning T-Pain's continued usage of Auto-Tune and his delivery of the club tracks. Jesel Padania of RapReviews said that despite the album's lack of humor and some tracks falling short of previous efforts, he praised T-Pain's genre-hopping production and his chemistry with the guest artists. [12]
The show has a structure combination of African-American cultural endurance and adoration with ending music videos similar to Fat Albert and the Cosby Kids and the kid-centered oriented program synopsis on young love and romance commonly found in the classic Peanuts cartoon specials.