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Download as PDF; Printable version; In other projects ... Lydian diminished scale: Lydian diminished on C. ... A free Android app with scales & building chords for ...
The diminished second has the same width but an opposite direction (from to C ♯ to D ♭). In musical tuning , the Pythagorean comma (or ditonic comma [ a ] ), named after the ancient mathematician and philosopher Pythagoras , is the small interval (or comma ) existing in Pythagorean tuning between two enharmonically equivalent notes such as ...
The half diminished scale is a seven-note musical scale. It is more commonly known as the Locrian ♯ 2 scale [1] or the Aeolian ♭ 5 scale, names that avoid confusion with the diminished scale and the half-diminished seventh chord (minor seventh, diminished fifth). It is the sixth mode of the ascending melodic minor scale.
A diminished triad with a minor seventh is a half-diminished chord, usually notated either Cm 7(♭ 5) or C ø7. A diminished triad played over a root a major third away creates a Dominant 7th chord, notated C 7 , with a C Major triad on the bottom, and an E° from the chord third of C ( C E G B ♭ ).
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In the example below featuring C 7 ♯ 11 and C lydian dominant every note of the scale may be considered a chord tone [7] while in the example above featuring A 7 and A mixolydian the scale is thought of as a 'filling in' of the steps that are missing between members of the chord. [5]
In major scales, a diminished triad occurs only on the seventh scale degree. For instance, in the key of C, this is a B diminished triad (B, D, F). Since the triad is built on the seventh scale degree, it is also called the leading-tone triad. This chord has a dominant function.
In the case of I or C, C-A-F ♯-D ♯, or an E ♭ fully diminished chord. This connects the axis system not only with diminished chords, which often form the basis for the movement in a piece based on the axis system, but also links the axis system with the diminished scales formed on ♭ III of each of the principal tones: root, subdominant ...