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"And Can It Be That I Should Gain?" is a Christian hymn written by Charles Wesley in 1738 to celebrate his conversion, which he regarded as having taken place on 21 May of that year. [1] The hymn celebrates personal salvation through the death and resurrection of Jesus , and is one of the most popular Methodist hymns today.
The song was first presented to James by the music publisher Tommy Valando, according to her international fan club president Wayne Brasler of the University of Chicago Laboratory Schools. James recorded it at her first session in New York City, after moving from her hometown of Chicago , with arranger David Terry.
Mondegreen: a mishearing (usually unintentional) as a homophone or near-homophone that has as a result acquired a new meaning. The term is often used to refer specifically to mishearings of song lyrics (cf. soramimi). Onomatopoeia: a word or a grouping of words that imitates the sound it is describing; Phonetic reversal
The word was popularized in the 1964 film Mary Poppins, [4] in which it is used as the title of a song and defined as "something to say when you don't know what to say". The Sherman Brothers , who wrote the Mary Poppins song, have given several conflicting explanations for the word's origin, in one instance claiming to have coined it themselves ...
"May It Be" is a song by the Irish recording artist Enya. She and Roma Ryan respectively composed and wrote lyrics to the song, for Peter Jackson's 2001 film The Lord of the Rings: The Fellowship of the Ring. [2] The song entered the German Singles Chart at number one in 2002, and Enya performed it at the 74th Academy Awards.
The song opens with a saxophone hook by Greg Ham; Hay had originally written the saxophone section later in the song, but McIan suggested moving the hook to the introduction. While recording the song, McIan wanted a saxophone solo and told Ham to play anything just to get the sound. McIan used Ham's improvised composition as the solo in the ...
Both African-American women work songs, African American work songs, and the work song, in general, use the call-and-response format often. It can also be found in the music of the Afro-Caribbean populations of Jamaica, Trinidad & Tobago, Bahamas, Barbados, Belize, and many nations of the diaspora, especially Brazil.
A lick can be a hook, if the lick meets the definition of a hook: "a musical idea, a passage or phrase, that is believed to be appealing and make the song stand out", and "catch the ear of the listener". [4] A lick may be incorporated into a fill, which is a short passage played in the pause between phrases of a melody.