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Post-quantum cryptography (PQC), sometimes referred to as quantum-proof, quantum-safe, or quantum-resistant, is the development of cryptographic algorithms (usually public-key algorithms) that are currently thought to be secure against a cryptanalytic attack by a quantum computer.
The site's critical consensus reads, "Journeying a bit too far down the rabbit hole leaves Q: Into the Storm's message a bit muddled, but it works as a primer on one of the internet's most controversial communities." [49] On Metacritic, it has a weighted average score of 65 out of 100, based on 13 critics, indicating "generally favorable ...
Hole (outside) diameter, mm Core (inside) diameter, mm AQ 48 27 BQ 60 36.5 NQ 75.7 47.6 HQ 96 63.5 HQ3 96 61.1 PQ 122.6 85 PQ3 122.6 83 CHD 76 75.7 43.5 CHD 101
Schickele's works attributed to P. D. Q. Bach often incorporate comical rearrangements of well-known works of other composers. The works use instruments not normally used in orchestras, such as the bagpipes, slide whistle, kazoo, and fictional or experimental instruments such as the pastaphone (made of uncooked manicotti), [10] tromboon, [11] hardart, lasso d'amore, [12] and left-handed sewer ...
"Suffer Well" was the first ever post-Clarke Depeche Mode single not to be written by Gore (lyrics by Gahan, music by Philpott/Eigner). The final single from the album was " John the Revelator ", an up-tempo electronic track with a running religious theme, accompanied by "Lilian", a lush track that was a hit in many clubs all over the world.
Post-disco is a term and genre to describe an aftermath in popular music history circa 1979–1986, imprecisely beginning with the backlash against disco music in the United States, leading to civil unrest and a riot in Chicago known as the Disco Demolition Night on July 12, 1979, and indistinctly ending with the mainstream appearance of new wave in 1980.