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[1] [2] The name Rondanini refers to the fact that the sculpture stood for centuries in the courtyard at the Palazzo Rondanini (also known as Palazzo Rondinini) in Rome. [3] Certain sources point out that biographer Giorgio Vasari had referred to this Pietà in 1550, suggesting that the first version may already have been underway at that time. [4]
The Deposition (also called the Bandini Pietà or The Lamentation over the Dead Christ) is a marble sculpture by the Italian High Renaissance master Michelangelo.The sculpture, on which Michelangelo worked between 1547 and 1555, depicts four figures: the dead body of Jesus Christ, newly taken down from the Cross, Nicodemus [1] (or possibly Joseph of Arimathea), Mary Magdalene and the Virgin Mary.
The Slater Memorial Museum, Norwich Free Academy, Norwich, CT. Full-sized cast-plaster copy of the original sculpture. Basilica of Sainte-Anne-de-Beaupré Quebec City, Canada; Pietà at Museo Soumaya, Mexico City. Soumaya Museum, [1] Mexico City, Mexico; Cathedral of Our Lady of Refuge, Matamoros, Mexico
The Dying Slave is a sculpture by the Italian Renaissance artist Michelangelo.Created between 1513 and 1516, it was to serve with another figure, the Rebellious Slave, at the tomb of Pope Julius II. [1]
Perseus with the Head of Medusa, by Antonio Canova, 1798-1801 (Vatican Museums, Rome). The Medusa Rondanini was formerly exhibited in Palazzo Rondanini [2] in the upper end of via del Corso, Rome, where it was overlooked by the great art historian Johann Joachim Winckelmann, perhaps distracted by Michelangelo's Rondanini Pietà in the same collection.
Bacchus (1496–1497) [1] is a marble sculpture by the Italian High Renaissance sculptor, painter, architect and poet Michelangelo.The statue is somewhat over life-size and represents Bacchus, the Roman god of wine, in a reeling pose suggestive of drunkenness.
The Palestrina Pietà is a marble sculpture of the Italian Renaissance, dating from c. 1555 and now in the Galleria dell'Accademia, Florence.It was formerly attributed to Michelangelo, but now it is mostly considered to have been completed by someone else, such as Niccolò Menghini [1] or Gian Lorenzo Bernini. [2]
The Museo dell'Opera del Duomo (Museum of the Works of the Cathedral) in Florence, Italy is a museum containing many of the original works of art created for Florence Cathedral, [1] including the adjacent Florence Baptistery and Giotto's Campanile. Most of the exterior sculptures have been removed from these cathedral buildings, usually ...