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"Carnival" is a song written and produced by singer-songwriter Natalie Merchant and was the lead single from her debut solo album, Tigerlily (1995). In the lyrics ...
Musically, "Carnival" is a sparse hip hop song, with elements of punk rock. [ 21 ] [ 22 ] [ 23 ] It features an EDM and trap beat. [ 24 ] The song incorporates a vocal loop of chanting from Inter Milan's ultras on the hook that is accompanied by intones of "ooohhh" and clapping percussion throughout, [ 22 ] [ 25 ] [ 26 ] which drew comparisons ...
"Manhã de Carnaval" ("Carnival Morning"), often referred to as "Black Orpheus", is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. "Manhã de Carnaval" appeared as a principal theme in the 1959 Portuguese-language film Orfeu Negro [ 1 ] by French director Marcel Camus .
Kanye "Ye" West is name dropping Taylor Swift once again. The embattled rapper references Swift on his new song, "Carnival," which is featured on his Vultures 1 collaborative album with Ty Dolla ...
The "Carnival of Venice" is based on a Neapolitan folk tune called "O Mamma, Mamma Cara" [1] and popularized by violinist and composer Niccolò Paganini, who wrote twenty variations on the original tune. He titled it "Il Carnevale Di Venezia," Op. 10.
"The Carnival Is Over" is a song written by Tom Springfield, for the Australian folk pop group the Seekers. It is based on a Russian folk song from about 1883, adapted with original English-language lyrics. The song became the Seekers' signature recording, and the band customarily closed their concerts with it ever since its success in late 1965.
When the stage show was adapted as a 1968 film, he and Styne were asked to write a title tune, which was nominated for both the Academy Award for Best Original Song and Golden Globe Award for Best Original Song. [12] [13] Producer David Merrick hired Merrill to write additional songs for the musical Hello, Dolly! by Jerry Herman. Merrill ...
"Carnival" is a song by Swedish band the Cardigans. It was released in March 1995 by Trampolene and Stockholm Records as the first single from their second album, Life (1995). The song gave the group their first appearance on the UK Singles Chart , reaching number 72 in June 1995.