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Power Politics is a book of poetry by Canadian author Margaret Atwood, published in 1971. It contains her famous simile: You fit into me like a hook into an eye a fish hook an open eye. The violent surprise of this poem is typical of Atwood’s imagery. [1] Gender is a crucial theme in Power Politics.
Suicide in the Trenches" is one of the many poems the English poet Siegfried Sassoon (1886–1967) composed in response to World War I, reflecting his own notable service in that especially bloody conflict. Sassoon was a brave and gallant upper-class officer who eventually opposed the war, but he never lost his admiration for the common ...
Belfast Confetti is a poem about the aftermath of a sectarian riot in Belfast by Northern Irish poet and translator Ciarán Carson. [1] The name of the poem derives from the nickname for the large shipbuilding rivets and other scrap metal that were used as missiles by Protestant shipyard workers during anti-Catholic riots in Belfast.
The poem was created as part of a friendly competition in which Shelley and fellow poet Horace Smith each created a poem on the subject of Egyptian pharaoh Ramesses II under the title of Ozymandias, the Greek name for the pharaoh. Shelley's poem explores the ravages of time and the oblivion to which the legacies of even the greatest are subject.
DeGout states, however, that Angelou's poems have levels of meaning, and that poems in the volume's first section present the themes of racism, women's power, and liberation more subtly. DeGout views "A Zorro Man" as an example of Angelou's ability to translate her personal experience into political discourse and the textured liberation she ...
Like Heaney's earlier poem, "Digging," it examines "the function of the poet in society, and both end with a declaration of confidence in the socially redemptive power of poetry." [11] "Triptych" "After a Killing" begins with the mention of "Two young men with rifles on the hill, / Profane and bracing as their instruments." The speaker asks ...
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North (1975) is a collection of poems written by Seamus Heaney, who received the 1995 Nobel Prize in Literature.It was the first of his works that directly dealt with the Troubles in Northern Ireland, and it looks frequently to the past for images and symbols relevant to the violence and political unrest of that time.