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Milton Ernest "Robert" Rauschenberg (October 22, 1925 – May 12, 2008) was an American painter and graphic artist whose early works anticipated the Pop art movement. . Rauschenberg is well known for his Combines (1954–1964), a group of artworks which incorporated everyday objects as art materials and which blurred the distinctions between painting and s
Mandl, David, "Review of X-Ray: The Unauthorized Autobiography of Ray Davies", originally in Anarchy: A Journal of Desire Armed, date not specified, online on Mandl's own site on WFMU-FM. Polito, Robert, "Bits of Me Scattered Everywhere: Ray Davies and the Kinks", p. 119–144 in Eric Weisbard, ed., This is Pop, Harvard University Press, 2004.
Erased de Kooning Drawing (1953) is an early work of American artist Robert Rauschenberg.This conceptual work presents an almost blank piece of paper in a gilded frame. It was created in 1953 when Rauschenberg erased a drawing he obtained from the abstract expressionist and American artist Willem de Kooning.
Robert Rauschenberg (painter) [27] Man Ray (painter and visual artist) Ad Reinhardt (painter) [28] Jean-Paul Riopelle (Canadian artist) Alexander Rodchenko (Russian artist) Olga Rozanova (Russian artist) Louis Schanker (American printmaker and sculptor) Kurt Schwitters (German artist) David Smith (American sculptor) Kenneth Snelson (sculptor ...
Robert Rauschenberg and Susan Weil were married in the summer of 1950 at the Weil family home in Outer Island, Connecticut. [1] Their son, Christopher Rauschenberg was born on July 16, 1951. The two separated in June 1952 and divorced in 1953.
The Scapegoat, William Holman Hunt, 1854–1856, oil on canvas. Monogram is a Combine by American artist Robert Rauschenberg, made between 1955 and 1959. [1] It consists of a stuffed Angora goat with its midsection passing through an automobile tire. [2]
Visual autoethnography has been noted by various scholars as a methodology which challenges power relations for the maker and the viewer. [1] [3] [4] Drawing on the work of Mary Louise Pratt and bell hooks in his research on gang photography, Richard T. Rodríguez refers to the autoethnography as "a practice in which colonized subjects turn the gaze inward."
The View from the Edge [Sublime and Anxious Eye] – a look at those who made visual art from the crags and vistas of their internal world. Expressionism. van Gogh, Munch, Toulouse-Lautrec, Gauguin, Kirchner, Kokoschka, Soutine, Bacon, de Kooning, photographical evidence of the Holocaust, Marc, Klee, Kandinsky, Brancusi, Rothko, Pollock, Motherwell