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Tonic sol-fa (or tonic sol-fah) is a pedagogical technique for teaching sight-singing, invented by Sarah Anna Glover (1786–1867) of Norwich, England and popularised by John Curwen, who adapted it from a number of earlier musical systems.
Italian "solfeggio" and English/French "solfège" derive from the names of two of the syllables used: sol and fa.[2] [3]The generic term "solmization", referring to any system of denoting pitches of a musical scale by syllables, including those used in India and Japan as well as solfège, comes from French solmisation, from the Latin solfège syllables sol and mi.
Her Sol-fa system was based on the ancient gamut; but she omitted the constant recital of the alphabetical names of each note and the arbitrary syllable indicating key relationship, and also the recital of two or more such syllables when the same note was common to as many keys (e.g. C, Fa, Ut, meaning that C is the subdominant of G and the ...
Tonic Sol-fa is an a cappella quartet from the Minneapolis–Saint Paul region. With a largely pop-music -oriented repertoire, their CDs have sold over 2,000,000 copies, [ 1 ] and the group has toured throughout the US and abroad.
The original sequence was Ut Re Mi Fa Sol La, where each verse started a scale note higher. "Ut" later became "Do". The equivalent syllables used in Indian music are: Sa Re Ga Ma Pa Dha Ni. See also: solfège, sargam, Kodály hand signs. Tonic sol-fa is a type of notation using the initial letters of solfège.
He was also a pioneer of the tonic sol-fa method of sight-singing in Wales, [3] having adapted and translated into Welsh, the works of John Curwen. [4] His most important publication on the topic was Llawlyfr y Tonic Solffa, a handbook which was designed to help in the teaching of the tonic sol-fa method. [5]
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Tonic sol-fa is a type of notation using the initial letters of solfege. Alpha is a chromatic extension of the letter notation proposed by the French musician ...