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Before August 1219, forecasting an easy Crusader victory at Cairo. Folquet de Marselha: 155.7 Chantars mi torn' ad afan: November 1194 – 10 July 1195, probably during truce between Richard I of England and Philip I of France, before Battle of Alarcos and the German Crusade. Folquet de Marselha: 155.15 Oimais no.i conosc razo
"Fairest Lord Jesus", also known as "Beautiful Savior" or "Crusader's Hymn", is a Christian hymn. It was originally a hymn in German first printed in 1677, " Schönster Herr Jesu ". History
"No Pain, No Gain" [a] is a song written, [1] co-produced [1] and performed by American contemporary R&B singer Betty Wright; issued as the lead single from her twelfth studio album Mother Wit. The song peaked at #14 on the Billboard R&B chart in 1988.
Senchas Fagbála Caisil "The Story of the Finding of Cashel" is an early medieval Irish text which relates, in two variants, the origin legend of the kingship of Cashel. Myles Dillon has dated the first variant (§§ 1-3) to the 8th century, and the second (§§ 4-8) tentatively to the 10th century.
The opposing Crusader army amassed at La Saphorie, a well-watered position with a small castle, [28] which had previously served as a mustering point in the event of Muslim intrusions from the east. On this occasion the Crusader force consisted of around 18,000–20,000 men, including 1,200 knights from Jerusalem and Tripoli and 50 from Antioch.
In non-classical music, singers are defined by their genre and their gender and not by their vocal range. [2] When the terms soprano , mezzo-soprano , contralto , tenor , baritone , and bass are used as descriptors of non-classical voices, they are applied more loosely than they would be to those of classical singers and generally refer only to ...
Dick Asher, a veteran music-business executive who was president of PolyGram and Columbia Records and worked with artists ranging from Bruce Springsteen, Michael Jackson and Bon Jovi to Bob Dylan ...
[1] [2] It became Brewer's signature song and earned her the nickname "Miss Music". It was released as the B-side to " Copenhagen " but eclipsed "Copenhagen" as a hit. It was also recorded by many artists on various labels and other hit versions in 1950 were by Carmen Cavallaro (reached No. 5), Freddy Martin (No. 5), Ames Brothers (No. 14 ...