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The first two phrases of the melody from Stephen Foster's "Oh! Susanna" are based on the major pentatonic scale [1]. A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale).
The scale degree chords of A minor are: Tonic – A minor; Supertonic – B diminished; Mediant – C major; Subdominant – D minor; Dominant – E minor; Submediant – F major; Subtonic – G major
Minor: Usual Aeolian mode or natural minor scale: Aeolian on C. Play ... Minor pentatonic scale on A. Play ...
The minor-third step from a minor key up to the relative major encouraged ascending scale progressions, particularly based on an ascending pentatonic scale. Typical of the type is the sequence i–III–IV (or iv)–VI. According to Tom Sutcliffe: [17]
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While any other scale containing a minor triad could be defined as a "minor scale", the terminology is less commonly used for some scales, especially those further outside the western classical tradition. The hexatonic (6-note) blues scale is similar to the minor pentatonic scale and fits the above definition. However, the flat fifth is present ...
While the Chinese Shí-èr-lǜ has influenced Japanese music since the Heian period, in practice Japanese traditional music is often based on pentatonic (five tone) or heptatonic (seven tone) scales. [1] In some instances, harmonic minor is used, while the melodic minor is virtually unused.
Two pentatonic scales common to jazz are the major pentatonic scale and the minor pentatonic scale. They are both modes of one another. The major pentatonic scale begins with a major scale and omits the fourth and the seventh scale degrees. The minor pentatonic scale uses the same notes as the major pentatonic scale, but begins on the sixth ...