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The sacred–profane dichotomy is a concept posited by the French sociologist Émile Durkheim in 1912, who considered it to be the central characteristic of religion: "religion is a unified system of beliefs and practices relative to sacred things, that is to say, things set apart and forbidden."
A god complex is an unshakable belief characterized by consistently inflated feelings of personal ability, privilege, or infallibility. [1] The person is also highly dogmatic in their views, meaning the person speaks of their personal opinions as though they were unquestionably correct. [ 2 ]
Univocity of being is the idea that words describing the properties of God mean the same thing as when they apply to people or things. It is associated with the doctrines of the Scholastic theologian John Duns Scotus .
Certain prophets of the Old Testament who exhibited signs of strange behaviour are considered by some scholars [3] to be predecessors of "Fools for Christ". The prophet Isaiah walked naked and barefoot for about three years, predicting a forthcoming captivity in Egypt (Isaiah 20:2, 3); the prophet Ezekiel lay before a stone, which symbolized beleaguered Jerusalem, and though God instructed him ...
The anti-God that I take seriously is the malicious omnipotent omniscient being, who, it is said, creates so that creatures will suffer, because of the joy this suffering gives It. This may be contrasted with a different idea of anti-God, that of an evil being that seeks to destroy things of value out of hatred or envy.
By the time of Cicero, sacrilege had adopted a more expansive meaning, including verbal offences against religion and the undignified treatment of sacred objects. Owing to the phonetic similarities between the words sacrilegious and religious , and their spiritually-based uses in modern English, many people mistakenly assume that the two words ...
But, in truth, the word 'God' is used in most cases—not by the Bishops of Winchester and Gloucester, but by mankind in general—as by no means a term of science or exact knowledge, but a term of poetry and eloquence, a term thrown out, so to speak, at a not fully grasped object of the speaker's consciousness,—a literary term, in short; and ...
The prophet Jeremiah lamenting the fall of Jerusalem, engraving by Gustave Doré, 1866. A jeremiad is a long literary work, usually in prose, but sometimes in verse, in which the author bitterly laments the state of society and its morals in a serious tone of sustained invective, and always contains a prophecy of society's imminent downfall.