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The Japanese sword has existed since the Nara period (710–794), where techniques to draw the sword have been practiced under other names than 'iaijutsu'. [3] The term 'iaijutsu' was first verified in connection with Iizasa Chōisai Ienao (c. 1387 – c. 1488), founder of the school Tenshin Shōden Katori Shintō-ryū .
An early rapier or "side-sword" on exhibit in the Castle of Chillon. The spada da lato (Italian) or side-sword is a type of sword popular in Italy during the Renaissance. It is a continuation of the medieval knightly sword, and the immediate predecessor, or early form, of the rapier of the early modern period. Side-swords were used concurrently ...
It involved the usage of weapons (swords, daggers, walking stick and staff). Each weapon is the product of a specific historical era. The swords used in Italian martial arts range from the Bronze daggers of the Nuragic times to the gladius of the Roman legionaries to swords which were developed during the renaissance, the baroque era and later ...
Iaidō (居合道), abbreviated iai (居合), [3] is a Japanese martial art that emphasizes being aware and capable of quickly drawing the sword and responding to sudden attacks. [ 4 ] Iaido consists of four main components: the smooth, controlled movements of drawing the sword from its scabbard (or saya ), striking or cutting an opponent ...
Battōjutsu (抜刀術, battō-jutsu, 'craft of drawing out the sword') is an old term for iaijutsu (居合術). Battōjutsu is often used interchangeably with the terms iaijutsu and battō (抜刀). [1] Generally, battōjutsu is practiced as a part of a classical ryū and is closely integrated with the tradition of kenjutsu.
The swordbreaker was a dagger that had large, deep serrations along one side of the blade, resembling the barbed teeth of a comb and designed to entrap an opponent's blade, allowing a variety of follow-up techniques. Like the triple dagger, the swordbreaker was a rare form of parrying dagger compared to the main-gauche, partly due to the ...
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Rapier combat is a style of historical fencing practiced in the Society for Creative Anachronism (SCA). The primary focus is to study, replicate and compete with styles of rapier sword-fighting found in Europe during the Renaissance period, using blunted steel swords and a variety of off-hand defensive items.