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He says this will be uncomfortable for a number of reasons: It's hard; it's socially limiting; it can be more expensive if you are used to eating off the dollar menu; it's not as tasty when you ...
Personal embarrassment can also stem from the actions of others who place the embarrassed person in a socially awkward situation—such as a parent showing one's baby pictures to friends, having someone make a derogatory comment about one's appearance or behavior, discovering one is the victim of gossip, being rejected by another person (see ...
Examples of injuries incompatible with life are decapitation or gross dismemberment.Other circumstances that are regarded as self-evidently incompatible with life include traumatic hemicorporectomy, decomposition, incineration, hypostasis and rigor mortis; in these circumstances, paramedics and other similar workers may be allowed to regard a person as dead in the absence of a physician.
Image credits: SampsonGoldsmith #2. My grandmother died, my mom was finishing up her cremation arrangements with the local funeral home when my dad died in a car accident two weeks later.
Space filler to avoid silence: in many cultures, silences between two people are usually considered uncomfortable and/or awkward. Tension can be reduced by starting phatic talk until a more substantial subject arises. Generally, humans find prolonged silence uncomfortable, and sometimes unbearable.
Anger, also known as wrath (UK: / r ɒ θ / ROTH) or rage, is an intense emotional state involving a strong, uncomfortable and non-cooperative response to a perceived provocation, hurt, or threat.
An awkward silence or awkward pause is an uncomfortable pause in a conversation or presentation. [1] The unpleasant nature of such silences is associated with feelings of anxiety as the participants feel pressure to speak but are unsure of what to say next. [2] In conversation, average pause length varies by language, culture and context.
The Thirty-Six Dramatic Situations is a descriptive list which was first proposed by Georges Polti in 1895 to categorize every dramatic situation that might occur in a story or performance. [1] Polti analyzed classical Greek texts, plus classical and contemporaneous French works. He also analyzed a handful of non-French authors.