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The range of seed beads in most modern seed bead work covers the sizes 6/0, 8/0, 11/0, 12/0, 13/0 and 15/0. Sizes 6/0, 8/0 and 11/0 are often used in beaded knitting, as well as bead knitting. The extremely small class of seed beads smaller than 15/0 have not been in production since the 1890s and any in existence are usually considered antiques.
The Cellini spiral is a variation on the Peyote stitch that uses beads of increasing size to create a textured surface. It was originated by seed bead masters Virginia Blakelock and Carol Perenoud who developed the tubular variation and named it after Benvenuto Cellini, a 16th-century Italian sculptor known for his Rococo architectural columns. [2]
Beadwork is the art or craft of attaching beads to one another by stringing them onto a thread or thin wire with a sewing or beading needle or sewing them to cloth. [1] Beads are produced in a diverse range of materials, shapes, and sizes, and vary by the kind of art produced.
A selection of glass beads Merovingian bead Trade beads, 18th century Trade beads, 18th century. A bead is a small, decorative object that is formed in a variety of shapes and sizes of a material such as stone, bone, shell, glass, plastic, wood, or pearl and with a small hole for threading or stringing.
Baroque bead and reel on a tapestry showing the Triumph of Constantine over Maxentius at the Battle of the Milvian Bridge, designed by Peter Paul Rubens in 1622, produced from 1623 until 1625, wool and silk with gold and silver threads, Philadelphia Museum of Art, Philadelphia, US
Worry beads made from different materials. Worry beads or komboloi/kompoloi (Greek: κομπολόι, IPA: [ko(m)boˈloi̯], 'bead collection'; plural: κομπολόγια, IPA: [ko(m)boˈloʝa]) is a string of beads manipulated with one or two hands and used to pass time in Greek and Cypriot culture.