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Inspired by the folklore of Dalmatian hinterland, to the point where the boundary between the folklore and "classical music" ceases to exist, it is considered to be the best and most performed Croatian opera of all time. 1935 Die schweigsame Frau (Strauss). A comic opera based on a play by Ben Jonson. [202] 1935 Porgy and Bess (George Gershwin ...
Che gelida manina" ([ke ˈd͡ʒɛ.li.da maˈni.na]; "What a frozen little hand") [1] is a tenor aria from the first act of Giacomo Puccini's opera, La bohème. The aria is sung by Rodolfo to Mimì when they first meet. In the aria he tells her of his life as a poet, and ends by asking her to tell him more about her life. [2]
The contralto voice in opera and classical music has a range which typically lies between the F below middle C to two Fs above middle C (F5).In the lower and upper extremes, some contralto voices can sing from the E below middle C (E3) to two B ♭ s above middle C (B ♭ 5). [1]
The farewell aria of Sultan Bazajet in Handel's opera Tamerlano (note the da capo instruction). First edition, London, 1719. In music, an aria (Italian:; pl.: arie, Italian:; arias in common usage; diminutive form: arietta, Italian:; pl.: ariette; in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger ...
Luciano Pavarotti OMRI (/ ˌ p æ v ə ˈ r ɒ t i /, US also / ˌ p ɑː v-/, Italian: [luˈtʃaːno pavaˈrɔtti]; 12 October 1935 – 6 September 2007) was an Italian operatic tenor who during the late part of his career crossed over into popular music, eventually becoming one of the most acclaimed tenors of all time.
Opera Composer Aria 100 The Bohemian Girl: Balfe "I Dreamt I Dwelt in Marble Halls" 99 Parsifal: Wagner Prelude 98 The Magic Flute: Mozart "Der Vogelfänger bin ich ja" (Birdcatcher's Aria) 97 The Abduction from the Seraglio: Mozart "O, wie will ich triumphieren" (Osmin's Aria) 96 Casanova: J. Strauss II/Benatzky "O Madonna, auf uns sieh" (Nuns ...
K 1 K 6 Composition, score and critical report () Librettist Date 21: 19c "Va, dal furor portata" (Score/Crit. report) Aria for tenor and orchestra: Metastasio Ezio, II,4: 1765 36: 33i
Rage arias were amongst various types of aria which were employed in 18th century opera, including the more restrained aria di sentimento, the aria di lamento (lament), and the showy aria di bravura. [2] One of the best-known examples of the genre is the Queen of the Night's "Der Hölle Rache kocht in meinem Herzen", from Die Zauberflöte. [5]