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An oratorio (Italian pronunciation: [oraˈtɔːrjo]) is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. [1]Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters (e.g. soloists), and arias.
First page of the first part of Bach's Christmas Oratorio (1734) This is a chronological list of oratorios from the 16th century to the present. Unless otherwise indicated, all dates are those when the work was first performed. In some cases only the date of composition is known. In others, the oratorio has only been heard on a recording.
Aria, Chorus: "To God, our strength, sing loud". The second minuet from the Music for the Royal Fireworks was reused from this oratorio. [4] Handel's coronation anthem Zadok the Priest was also reused as the finale to the oratorio, but without the second movement "And all the people rejoic'd".
In instrumental music, a style of playing that imitates the way the human voice might express the music, with a measured tempo and flexible legato. cantilena a vocal melody or instrumental passage in a smooth, lyrical style canto Chorus; choral; chant cantus mensuratus or cantus figuratus (Lat.) Meaning respectively "measured song" or "figured ...
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For the oratorio he used the vocal means of contemporary opera, recitative, aria, ensemble and chorus. The orchestra plays a decisive role in structure and tone painting. [1] The oratorio has five solo roles, in Part I and II the three archangels Gabriel , Uriel and Raphael , in Part III
Les Béatitudes, (Op. 25), CFF 185, FWV 53, [1] is a French oratorio written by César Franck from 1869 to 1879 and scored for orchestra, chorus, and soloists. The text is a poetic meditation on the eight beatitudes of Jesus, from the Gospel of Matthew, by Joséphine-Blanche Colomb.
George Frideric Handel. Acis and Galatea (HWV 49) is a musical work by George Frideric Handel with an English text by John Gay.The work has been variously described as a serenata, a masque, a pastoral or pastoral opera, a "little opera" (in a letter by the composer while it was being written), an entertainment and by the New Grove Dictionary of Music as an oratorio.