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  2. Resolution (music) - Wikipedia

    en.wikipedia.org/wiki/Resolution_(music)

    Resolution has a strong basis in tonal music, since atonal music generally contains a more constant level of dissonance and lacks a tonal center to which to resolve.. The concept of "resolution", and the degree to which resolution is "expected", is contextual as to culture and historical period.

  3. Irregular resolution - Wikipedia

    en.wikipedia.org/wiki/Irregular_resolution

    In music, an irregular resolution is resolution by a dominant seventh chord or diminished seventh chord to a chord other than the tonic. Regarding the dominant seventh, there are many irregular resolutions including to a chord with which it has tones in common or if the parts move only a whole or half step. [2]

  4. Cadence - Wikipedia

    en.wikipedia.org/wiki/Cadence

    The Harvard Concise Dictionary of Music and Musicians says, "This cadence is a microcosm of the tonal system, and is the most direct means of establishing a pitch as tonic. It is virtually obligatory as the final structural cadence of a tonal work."

  5. Appoggiatura - Wikipedia

    en.wikipedia.org/wiki/Appoggiatura

    An appoggiatura (/ ə ˌ p ɒ dʒ ə ˈ tj ʊər ə / ə-POJ-ə-TURE-ə, Italian: [appoddʒaˈtuːra]; German: Vorschlag or Vorhalt; French: port de voix) is a musical ornament that consists of an added non-chord note in a melody that is resolved to the regular note of the chord.

  6. Half-time (music) - Wikipedia

    en.wikipedia.org/wiki/Half-time_(music)

    In popular music, half-time is a type of meter and tempo that alters the rhythmic feel by essentially doubling the tempo resolution or metric division/level in comparison to common-time. Thus, two measures of 4 4 approximate a single measure of 8 8, while a single measure of 4/4 emulates 2/2. Half-time is not to be confused with alla breve or ...

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  8. Tritone - Wikipedia

    en.wikipedia.org/wiki/Tritone

    The diminished fifth is often called a tritone in modern tonal theory, but functionally and notationally it can only resolve inwards as a diminished fifth and is therefore not reckoned a tritone—that is, an interval composed of three adjacent whole tones—in mid-renaissance (early 16th-century) music theory. [19]

  9. New Complexity - Wikipedia

    en.wikipedia.org/wiki/New_Complexity

    Though often atonal, highly abstract, and dissonant in sound, New Complexity music is most readily characterized by the use of techniques which require complex musical notation. This includes extended techniques , complex and often unstable textures , microtonality , highly disjunct melodic contour , complex layered rhythms, abrupt changes in ...