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Fused and kiln-formed glass sculpture. Glass fusing is the joining together of pieces of glass at high temperature, usually in a kiln. [1] [2] This is usually done roughly between 700 °C (1,292 °F) and 820 °C (1,510 °F), [3] [4] and can range from tack fusing at lower temperatures, in which separate pieces of glass stick together but still retain their individual shapes, [5] to full fusing ...
Came glasswork includes assembling pieces of cut and possibly painted glass using came sections. The joints where the came meet are soldered to bind the sections. When all of the glass pieces have been put within came and a border put around the entire work, pieces are cemented and supported as needed. [1]
The channel runs the length of the came. H-shaped came has 2 back-to-back channels that hold adjoining glass pieces in position on the interior of a stained glass panel. It can also be used as a border came in certain situations. U-shaped came has only one channel and is used as a border around the perimeter of panels.
Higgins Glass, fused and slumped ashtray and bowl Fused glass piece with dichroic glass highlights. Warm glass or kiln-formed glass is the working of glass, usually for artistic purposes, by heating it in a kiln. The processes used depend on the temperature reached and range from fusing and slumping to casting.
Glass working refers collectively to a wide range of techniques and artistic styles that use glass as the primary medium. Some common forms of glass working are: Glassblowing, the creation of hollow objects such as bottles and vases by blowing air through molten glass; Glass sculpture, works sculpted or molded from glass
Traditionally, leadlight windows differ from stained glass windows principally in being less complex in design and employing simpler techniques of manufacture. Stained glass windows, such as those commonly found in churches, usually include design components that have been painted onto the glass and fired in a kiln before assembly.