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Viennese waltz (German: Wiener Walzer) is a genre of ballroom dance. At least four different meanings are recognized. At least four different meanings are recognized. In the historically first sense, the name may refer to several versions of the waltz , including the earliest waltzes done in ballroom dancing, danced to the music of Viennese waltz.
The first waltz theme is a familiar gently rising triad motif played by cellos and horns in the tonic (D major), accompanied by the harp; the Viennese waltz beat is accentuated at the end of each 3-note phrase. The Waltz 1A triumphantly ends its rounds of the motif, and waltz 1B follows in the same key; the genial mood is still apparent.
A section from Johann Strauss' Waltz from Die Fledermaus. A waltz, [a] probably deriving from German Ländler, is dance music in triple meter, often written in 3 4 time.A waltz typically sounds one chord per measure, and the accompaniment style particularly associated with the waltz is (as seen in the example to the right) to play the root of the chord on the first beat, the upper notes on the ...
Thereafter a Spanish Waltz was danced. This Spanish Waltz was a combination of dancing around the room in closed position, and a "formation" dance of two couples facing each other and performing a sequence of steps. [22] "Valse a Trois Temps" was the "earliest" waltz step, and the Rye Waltz was preferred as a couple dance. [23]
The last dance of the debutantes is always the Blue Danube Viennese Waltz by Johann Strauss II, after which the floor is opened to all guests. The ball runs until 5 am. The opera house offers all access to the guests, with various other rooms and lounges open with different types of music and dance.
Figure dancing is a type of dance where different figures are put together with a certain tune and given a name. Round dancing, which includes the waltz, the polka, Zwiefacher etc., involves basic steps which can be danced to different tunes. In folk dancing, the waltz and the polka are in a different form to standard ballroom dancing.
Danzas can be either romantic or festive. Romantic danzas have four sections, beginning with an eight-measure paseo followed by three themes of sixteen measures each. The third theme typically includes a solo by the bombardino and, often, a return to the first theme or a coda at the end. Festive danzas are free-form, with the only rules being ...
However, the romantic moment is interrupted by the Count, who, upon learning where the Countess had gone, left the party in a rage. Resi arrives in time to sneak in the back and replace the Countess, who then walks back up the front stairs to surprise her husband, as the crowd outside hums The Blue Danube Waltz.