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The crafting of jewellery or fictional items that could have been embellished to create a form of jewellery has a history in Scotland dating back to at least 300BCE, with the emergence of the "Celtic" style of decoration. [23] The Celtic style and the Pictish style are very similar and both have an influence in Scottish jewellery today.
One very basic form of Celtic or pseudo-Celtic linear knotwork. Stone Celtic crosses, such as this, are a major source of knowledge regarding Celtic knot design. Carpet page from Lindisfarne Gospels, showing knotwork detail. Almost all of the folios of the Book of Kells contain small illuminations like this decorated initial.
A button knot is a knot that forms a bulge of thread. Button knots are essentially stopper knots , but may be esthetically pleasing enough to be used as a button on clothes. The single-strand button is a third type of knob knot , in which the working end leaves the knot at the neck, parallel with the standing part, so that the two parts, or ...
Claddagh ring. A Claddagh ring (Irish: fáinne Chladaigh) is a traditional Irish ring in which a heart represents love, the crown stands for loyalty, and two clasped hands symbolize friendship. [1] [2] The design and customs associated with it originated in Claddagh, County Galway. Its modern form was first produced in the 17th century. [3]
Celtic Revival jewellery become fashionable in the 1840s. [44] Utilising this trend, Waterhouse later placed the Tara Brooch as the centerpiece of his replica Celtic brooches in his Dublin shop, and exhibited it at the Great Exhibition of 1851 in London, the Great Industrial Exhibition of 1853 in Dublin, and Exposition Universelle of 1855 in Paris.
The diamond band set in yellow gold was not an engagement ring and was worn on the fourth finger of her right hand, where her butler Paul Burrell advised her to wear it. Photographs taken on 30 August, just before the crash, show that the Princess was wearing a gold ring on her right hand. She wore it as a "friendship" ring. [66] [67]
The first work of knot theory to include the Borromean rings was a catalog of knots and links compiled in 1876 by Peter Tait. [3] In recreational mathematics, the Borromean rings were popularized by Martin Gardner, who featured Seifert surfaces for the Borromean rings in his September 1961 "Mathematical Games" column in Scientific American. [19]
Both the Celtic (Irish and Pictish) and Anglo-Saxon elites had long traditions of metalwork of the finest quality, much of it used for the personal adornment of both sexes of the elite. The Insular style arises from the meeting of their two styles, Celtic and Anglo-Saxon animal style , in a Christian context, and with some awareness of Late ...
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