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The Birth of Venus (Italian: Nascita di Venere [ˈnaʃʃita di ˈvɛːnere]) is a painting by the Italian artist Sandro Botticelli, probably executed in the mid 1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown (called Venus Anadyomene and often depicted in art).
Prende [2] Venus (/ ˈviːnəs /) [a] is a Roman goddess whose functions encompass love, beauty, desire, sex, fertility, prosperity, and victory. In Roman mythology, she was the ancestor of the Roman people through her son, Aeneas, who survived the fall of Troy and fled to Italy. Julius Caesar claimed her as his ancestor.
Venus and the Three Graces Presenting Gifts to a Young Woman. Venus Asks Vulcan to Forge Arms for her Son Aeneas. Venus Blindfolding Cupid. Venus Consoling Love. Venus Disarming Cupid. Venus Disrobing for the Bath. Venus Frigida. Venus of Poetry. Venus of Urbino.
Venus and Mars (or Mars and Venus) is a panel painting of about 1485 by the Italian Renaissance painter Sandro Botticelli. [2] It shows the Roman gods Venus, goddess of love, and Mars, god of war, in an allegory of beauty and valour. The youthful and voluptuous couple recline in a forest setting, surrounded by playful baby satyrs.
Dresden Venus (c. 1510–11), traditionally attributed to Giorgione but for which Titian completed at least the landscape.. The Venus of Urbino (also known as Reclining Venus) [1] is an oil painting by Italian painter Titian, depicting a nude young woman, traditionally identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace.
The Borghese Hermaphrodite, an ancient Roman copy, excavated c. 1608–1620, [1] of a Hellenistic original, now in the Louvre. When in Rome Velázquez ordered a bronze cast of the work for Madrid. [2] The Rokeby Venus (/ ˈroʊkbi / ROHK-bee; also known as The Toilet of Venus, Venus at her Mirror, Venus and Cupid; Whose original title was "The ...
The Worship of Venus. The Worship of Venus is an oil on canvas painting by the Italian artist Titian completed between 1518 and 1519, housed at the Museo del Prado in Madrid, Spain. [1] It describes a Roman rite of worship conducted in honour of the goddess Venus each 1 April. On this occasion, women would make offerings to representations of ...
The art critic J. B. Atkinson praised the work, declaring that "Mr Leighton, instead of adopting corrupt Roman notions regarding Venus such as Rubens embodied, has wisely reverted to the Greek idea of Aphrodite, a goddess worshipped, and by artists painted, as the perfection of female grace and beauty." [4] According to Edgcumbe Staley: