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The pantoum is a form of poetry similar to a villanelle in that there are repeating lines throughout the poem. It is composed of a series of quatrains; the second and fourth lines of each stanza are repeated as the first and third lines of the next stanza. The pattern continues for any number of stanzas, except for the final stanza, which ...
The villanelle consists of five stanzas of three lines followed by a single stanza of four lines (a quatrain) for a total of nineteen lines. [8] It is structured by two repeating rhymes and two refrains: the first line of the first stanza serves as the last line of the second and fourth stanzas, and the third line of the first stanza serves as the last line of the third and fifth stanzas.
He notes the possibility for the form to evoke, through the relationship between the repeated lines, a feeling of dislocation and a "paradigm for schizophrenia". [23] This repetition of lines has been considered to prevent villanelles from possessing a "conventional tone" [24] and that instead they are closer in form to a song or lyric poetry. [24]
The poem is written in the villanelle or villanesque form, which contains nineteen lines. These lines consist of five tercets and a quatrain at the end. Two lines of the opening tercet, the first and the third, are known as refrains and are repeated alternately throughout the poem as the final lines of the following tercets. [3]
The poem relies on many sound-based techniques, including cognate variation and chiasmus. [66] In particular, the poem emphasises the use of the "æ" sound and similar modifications to the standard "a" sound to make the poem sound Asian. Its rhyme scheme found in the first seven lines is repeated in the first seven lines of the second stanza.
The Poetry Foundation said "De la Paz creates loops of words, actions, and images within the patterned design of poetic form, rhyme scheme, anaphoric titling, and poem ordering ... The book’s repeating motifs, the pantoum’s repeating lines, the chain migration poem’s rhyme scheme, and the sonnet’s metrical rhythms work on literary ...
In a traditional French triolet, the second and third non-repeating lines rhyme with the repeating first, fourth, and seventh lines, while the non-repeating sixth line rhymes with the second and eighth repeating lines. However, especially in German triolets of the 18th and 19th centuries, one will see this pattern often violated. [1]
The recurring line is, "Quoth Wes Craven, let's make more!" [3] In the Donald Duck 10-pager "Raven Mad" by Carl Barks, published in Walt Disney's Comics and Stories #265 in 1962, Huey, Dewey and Louie play with a raven who can only say "Nevermore." As in the poem, the raven often repeats the word throughout the story.