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The Hudibrastic relies upon feminine rhyme for its comedy, and limericks will often employ outlandish feminine rhymes for their humor. Irish satirist Jonathan Swift used many feminine rhymes in his poetry. Edgar Allan Poe's poem "The Raven" employs multiple feminine rhymes as internal rhymes throughout. An example is the following:
Sonnet 42 uses feminine rhymes at the end of the lines: especially in the second quatrain as a poetic device, similar to sonnet 40. [7] " The poem is essentially a sad one…it's sadness heightened by the feminine endings, six in all [out of seven]". [ 8 ]
Sonnet 20 is one of the best-known of 154 sonnets written by the English playwright and poet William Shakespeare.Part of the Fair Youth sequence (which comprises sonnets 1-126), the subject of the sonnet is widely interpreted as being male, thereby raising questions about the sexuality of its author.
First and third lines rhyme at the end, second and fourth lines are repeated verbatim. First and third lines have a feminine rhyme and the second and fourth lines have a masculine rhyme. A 1 abA 2 A 1 abA 2 – Two stanzas, where the first lines of both stanzas are exactly the same, and the last lines of both stanzas are the same. The second ...
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Another theory sees the rhyme as connected to Mary, Queen of Scots (1542–1587), with "how does your garden grow" referring to her reign over her realm, "silver bells" referring to cathedral bells, "cockle shells" insinuating that her husband was not faithful to her, and "pretty maids all in a row" referring to her ladies-in-waiting – "The ...
Feminine ending, in meter, a line of verse that ends with an unstressed syllable. See Masculine and feminine endings; Feminine ending or feminine cadence, a term in music theory for a phrase or movement that ends in an unstressed note or weak cadence; Feminine Endings, a 1991 feminist critique by musicologist Susan McClary
A heroic couplet is a traditional form for English poetry, commonly used in epic and narrative poetry, and consisting of a rhyming pair of lines in iambic pentameter.Use of the heroic couplet was pioneered by Geoffrey Chaucer in the Legend of Good Women and the Canterbury Tales, [1] and generally considered to have been perfected by John Dryden and Alexander Pope in the Restoration Age and ...