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Symbolism was a late 19th-century art movement of French and Belgian origin in poetry and other arts seeking to represent absolute truths symbolically through language and metaphorical images, mainly as a reaction against naturalism and realism. In literature, the style originates with the 1857 publication of Charles Baudelaire's Les Fleurs du mal.
The Symbolist Movement in Literature, first published in 1899, and with additional material in 1919, is a work by Arthur Symons largely credited with bringing French Symbolism to the attention of Anglo-American literary circles.
Religious symbol, an iconic representation of a religion or religious concept Buddhist symbolism, the use of Buddhist art to represent certain aspects of dharma; Christian symbolism, the use of symbols, including archetypes, acts, artwork or events, by Christianity; Symbols of Islam, the use of symbols in Islamic literature, art and architecture
The Dutch Tachtigers explicitly tried to incorporate Impressionism into their prose, poems, and other literary works. Much of what has been called "impressionist" literature is subsumed into several other categories, especially Symbolism, its chief exponents being Baudelaire, Mallarmé, Rimbaud, Verlaine and Laforgue, and the Imagists. It ...
In his fables, the famed Greek story teller Aesop used the lion's symbolism of power and strength in The Lion and the Mouse and Lion's Share. [citation needed] Since classical antiquity, a Gaetulian lion in literature is a lion of fierce reputation.
Many references to ravens exist in world lore and literature. Most depictions allude to the appearance and behavior of the wide-ranging common raven (Corvus corax). Because of its black plumage, croaking call, and diet of carrion, the raven is often associated with loss and ill omen. Yet, its symbolism is complex.
Symbols allow people to go beyond what is known or seen by creating linkages between otherwise different concepts and experiences. All communication is achieved through the use of symbols: for example, a red octagon is a common symbol for "STOP"; on maps, blue lines often represent rivers; and a red rose often symbolizes love and compassion.
In classical literature two of the best-known allegories are the Cave in Plato's The Republic (Book VII) and the story of the stomach and its members in the speech of Menenius Agrippa (Livy ii. 32). Among the best-known examples of allegory, Plato's Allegory of the Cave, forms a part of his larger work The Republic.