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Tinikling is a traditional Philippine folk dance which originated prior to Spanish colonialism in the area. [1] The dance involves at least two people beating, tapping, and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles in a dance.
Tahing Baila is a Yakan dance, a low land tribal Philippine folk dance, in which it tries to imitate movements of fish. [2] Pangsak Basilan Yakan From the highlands of Mindanao, is a Musim ethnic group called the Yakan. They are known to wear body-hugging elaborately woven costumes.
Pandanggo is a Philippine folk dance which has become popular in the rural areas of the Philippines. The dance evolved from Fandango, a Spanish folk dance, which arrived in the Philippines during the Hispanic period. The dance is accompanied by castanets. [1] This dance, together with the Jota, became popular among the illustrados or the upper ...
The dance immediately became popular in the province for stage performances and social dancing. Later, Mr. Antonino Arreza, a native of Cantilan and a grandfather of Prospero Pichay, Jr., was believed to be the one who composed the lyrics of Itik-itik. Below is the original version of Itik-itik in native Cantilangnon dialect:
The dance is intended to impress the viewers with the great skill of the dancers. In some "Filipino Martial Arts" (FMA) circles, it is noted that the Maglalatik "consists of a trapping and boxing method hidden in a dance." The name of the dance means "latik-maker", from latik, a coconut product that is used in Filipino cooking.
It is considered to be outdoor music, while the related kulintang ensemble, by contrast, is chamber music.The main instrument of tagonggo music is the tagungguan. [2] The tagungguan consists of six to eight hanging pentatonic gongs.
Folk music musical instruments. The music of the Philippines' many Indigenous peoples are associated with the various occasions that shape life in indigenous communities, including day-to-day activities as well as major life-events, which typically include "birth, initiation and graduation ceremonies; courtship and marriage; death and funeral rites; hunting, fishing, planting and harvest ...
The accompanying music follows only by the constant beating of drums, punctuated by the clacking of wooden castanets (kalaste) played by the men. The frenetic rhythm of the drums is also seen as proof of the custom's prehispanic origins, in line with the theory that it is a Christianised version of much older, animist rites.