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Anglo-Saxon runes or Anglo-Frisian runes are runes that were used by the Anglo-Saxons and Medieval Frisians (collectively called Anglo-Frisians) as an alphabet in their native writing system, recording both Old English and Old Frisian (Old English: rūna, ᚱᚢᚾᚪ, "rune").
The Finnish word runo, meaning 'poem', is an early borrowing from Proto-Germanic, [12] and the source of the term for rune, riimukirjain, meaning 'scratched letter'. [13] The root may also be found in the Baltic languages , where Lithuanian runoti means both 'to cut (with a knife)' and 'to speak'.
On one line, 52 weeks of 7 days were laid out using 52 repetitions of the first seven runes of the Younger Futhark. The runes corresponding to each weekday varied from year to year. On another line, many of the days were marked with one of 19 symbols representing the 19 Golden numbers, for the years of the Metonic cycle.
The name meanings are inferred from the Norwegian and Icelandic rune poems. A hallmark of medieval runes was the optional sting or bar diacritic which was often used to indicate when a rune stands for a secondary sound; ᚡ gave /v/, ᚤ gave /y/ and /ø/, ᚧ gave /ð/, ᚵ gave /g/ and /ɣ/, ᛂ gave /e/ and rarely /j/, ᛑ gave /d/, ᛔ gave ...
The precise number of inscriptions is debatable, as some proposed inscriptions consist of a single sign, or a row of signs that may also be "rune-like", in imitation of writing, or purely ornamental. For example, a ring found in Bopfingen has been interpreted as being inscribed with a single g, i.e. a simple X-shape that may also be ornamental ...
The j rune was rendered superfluous due to Old Norse sound changes, but was kept with the new sound value of a. The old z rune was kept (transliterated in the context of Old Norse as ʀ) but moved to the end of the rune row in the only change of letter ordering in Younger Futhark. The third ætt was reduced by four runes, losing the e, ŋ, o ...
The sundry runic scripts were well understood by the 19th century, when their analysis became an integral part of the Germanic philology and historical linguistics. Wilhelm Grimm published his Über deutsche Runen in 1821, where among other things he dwelt upon the " Marcomannic runes " (chapter 18, pp. 149–159).
A number of notable runestones of modern origin exist. Some of them are intended as hoaxes, their creators attempting to imitate a Viking Age artefact. Especially since the late 20th century, runestones in the style of the Viking Age were also made without pretense of authenticity, either as independent works of art or as replicas as museum ...