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A compact (also powder box, powder case and flapjack) is a cosmetic product. It is usually a small round metal case and contains two or more of the following: a mirror, pressed or loose face powder with a gauze sifter and a powder puff .
Women's bath, illustration from Husein Fâzıl-i Enderuni's Zanan-Name, 18th century. A nalin was based on a wooden sole supported on wooden plates under the heel and ball of the foot and carved from a single piece. A strap secured the nalin to the foot. [1] The base was carved from a hardwood such as plane, box, ebony, walnut or sandalwood.
September 27, 1931 – January 25, 1941 [8] The first national radio program sponsored by Lady Esther was “The Lady Esther Serenade” featuring Wayne King and his orchestra.
Dove Cameron wore a long black trench coat, sheer tights, and towering platform heels in her recent Instagram post. See the look and shop dupes to recreate it for yourself.
Edgar Degas, After the Bath, Woman Drying Herself, 1890–95, National Gallery, London. After the Bath, Woman Drying Herself is a pastel drawing by Edgar Degas, made between 1890 and 1895. Since 1959, it has been in the collection of the National Gallery, London. This work is one in a series of pastels and oils that Degas created depicting ...
The Turkish Bath (Le Bain turc) is an oil painting by Jean-Auguste-Dominique Ingres, initially completed between 1852 and 1859, but modified in 1862. [1] The painting depicts a group of nude women at a pool in a harem. [1] It has an erotic style that evokes both the Near East and earlier western styles associated with mythological subject matter.
The same bathtub featured in several of the works in the series and, together with the model's red hair, suggested the women were of the working class, possibly even prostitutes, In their defence Degas retorted "my women are simple, honest creatures who are concerned with nothing beyond their physical occupations... it is as if you were looking ...
Young Woman Powdering Herself (French: Jeune femme se poudrant) is an oil on canvas painting executed between 1889–90, by the French painter Georges Seurat. [1] The work, one of the leading examples of pointillism, depicts the artist's mistress Madeleine Knobloch. [2]